Mapping a Queer New York: An Interview with Jen Jack Gieseking

Interviewed by Katie Uva

Today on the blog, Katie Uva interviews Jen Jack Gieseking about their mapping project, An Everyday Queer New York, a companion project to his book A Queer New York: Geographies of Lesbians, Dykes, and Queers, forthcoming in 2020. Jack discusses the challenges and opportunities in mapping as a way of understanding lesbian, gay, bisexual, trans, and queer (LGBTQ+) history in general, and the history of queer women and trans and gender non-conforming people (tgncp) in particular.

Gender & Sexuality, Contemporary Era, InterviewsGuest UserDecember 12, 2019Comment

“Just Between Ourselves, Girls”: Rose Pastor Stokes and the American Yiddish Press

By Ayelet Brinn

n 1918, socialist agitator and women’s rights activist Rose Pastor Stokes (1879-1933) was tried and convicted of espionage after making public comments criticizing America’s involvement in World War I. After an anti-war speech in Kansas City, Stokes had published a letter in the Kansas City Star criticizing the American government for aligning with war profiteers to the detriment of the American people: “No government which is for the profiteers can also be for the people, while the government is for the profiteers.”

Progressive Era, Gender & Sexuality, Business & LaborGuest UserDecember 10, 2019Comment

Everybody’s Doin’ It: Sex, Music and Dance in New York, 1840-1917

Everybody’s Doin’it: Sex, Music and Dance in New York, 1840-1917

Reviewed by Jeffrey Escoffier

Dirty Dancing, the 1987 movie starring Patrick Swayze and Jennifer Grey, exploited a common cultural trope: the intimate connection many people feel between dancing and sex. It portrayed a couple whose dancing was explicitly sexual, who came from different social classes and who at the same time were falling in love. For many of its viewers, it presented a very romantic vision of the connection between sex and dancing. Dale Cockrell’s Everybody’s Doin’it: Sex, Music and Dance in New York, 1840-1917 (New York: W.W. Norton & Co. 2019) sets out to explore a more historical account of the interrelationship between popular music, social dancing and sexuality in nineteenth- and early twentieth-century America. As he shows, the making of popular music during the nineteenth-century often took place in bars, brothels and dance halls where prostitution was endemic. Social dancing was one of the ways that sex and music are linked.

Reviews, Gender & Sexuality, Antebellum & Civil War, Gilded AgeGuest UserNovember 5, 2019Comment

The Piano in the Sukkah: Early Twentieth Century Immigrant Jewish Piano Culture in New York

By Sarah Litvin

In 1905, the Yiddish language New York newspaper Yiddishes Tageblatt reported on a new trend in the city’s Lower East Side, “The Greenhorn of Plenty: The Piano in the Sukkah.” Jewish families were hauling parlor pianos to rooftops to incorporate them into the fall harvest festival Sukkoth, the article explained. At the time, New York City was exploding as the center of the country’s bustling piano trade and its largest immigrant city. The peak year of immigration was in 1907 when 1.7 newcomers arrived, and the peak year of piano production was in 1909, when 364,545 pianos were sold. By 1910, more American homes had a piano than a bathtub.

Religion, Arts & Culture, Gender & SexualityPeter-Christian AignerOctober 15, 2019Comment

Desire & Documentary in the Photography of Alvin Baltrop

By Jeffrey Patrick Colgan and Jeffrey Escoffier

Documentary photography in New York City has a long history, going back to Jacob Riis in the 1880s and Lewis Hine in the early twentieth-century with their documentation of poverty and slums. During the 1930s and 40s, Weegee covered the criminal underworld and the world of high society for the tabloids, while Helen Levitt shot scenes of the everyday life of housewives, children and working men. In the 1950s and 60s, Roy de Carava, Garry Winogrand, Fred McDarrah and Nan Goldin managed to capture both the grit and the glamour of New York’s post-war period. By the seventies, however, the glamour was gone, though the grit remained, as New York was overtaken by its industrial collapse and fiscal woes.

Postwar New York, Gender & SexualityPeter-Christian AignerSeptember 24, 2019Comment

Suffrage and the City: New York Women Battle for the Ballot

Reviewed by Susan Goodier

Just when we thought there simply couldn’t be another thing to say about the New York women’s suffrage movement, Lauren Santangelo presents us with an immaculately researched, well-written book that adds a new and provocative dimension to the topic. At the center of this monograph is New York City itself, with its myriad public spaces and its fascinating complexity, and Santangelo draws us into her rendition of suffragism in the city that never sleeps. Suffrage and the City does not presume to replace the historiography of the movement, but it raises the bar for casting a wide net for sources, for contextualization of a social movement, and for bringing a historical period (in this case, the Gilded Age and Progressive Era) to life. She convincingly argues that the city—Manhattan in particular—is more than a setting; it is an essential part of the drama of the women’s suffrage movement.

Gender & Sexuality, Politics, Progressive Era, ReviewsGuest UserAugust 22, 2019Comment

Rough Paradise: Sex, Art, and Economic Crisis on the New York City Waterfront

By Jeffrey Patrick Colgan and Jeffrey Escoffier

New York City was for many years one of the world’s leading ports. In the early 1950s, the docks in New York City, by far the country’s busiest, directly and indirectly supplied, according to the City’s Department of Marine and Aviation, livelihood for almost 10% of the city’s population. Nevertheless, even then there were signs of the port’s impending doom. Plagued with racketeering, traffic congestion, and outmoded facilities, the invention of container shipping was the final straw. Without adequate rail and road access and the space to operate cranes and stack containers, most of the port’s Manhattan-based business moved to New Jersey where new container facilities were being built.

Arts & Culture, Gender & Sexuality, Reviews, Waterfront & Islands, Urban Decline & Fiscal CrisisGuest UserAugust 15, 2019Comment

After the Vote: Feminist Politics in La Guardia's New York

Reviewed by Karen Pastorello

Elisabeth Israels Perry has enriched the historical record by documenting New York City women’s activism in the first half of the twentieth century. Inspired by the life of her grandmother, “political influencer” and civic reformer Belle Linder Israels Moskowitz, Perry goes well beyond recounting “firsts” for women and instead offers specific examples of accomplished women — all of whom surmounted a myriad of personal and professional challenges to enter a male-controlled political world. After suffrage was won, women attempted to ascend from their newly acquired position as voters to officeholders intent, for the most part, on advancing a social justice platform for all.

Stonewall at 50: A Roundtable

Today on the blog, we mark the 50th anniversary of the Stonewall Riots with a series of short essays by activists, writers, and scholars whose lives and work have been shaped by the events of June 1969 and their aftermath. This year, the scale of celebration and commemoration in New York is larger than ever — more than 4 million people are expected to attend this weekend’s festivities, and an estimated 115,000 people will be marching at Pride.

What Stonewall Means to Me

By Perry Brass

People often ask me if I was “at Stonewall,” and I’m one of the few people who will definitely say, “No.” I was actually around the corner at an old bar called Julius’, when some young men raced in to tell us that “the girls are rioting at the Stonewall!”