The Journalism of Style: How New York’s Fashion Editors Set The Stage For Fashion Reporting
By Kimberly Wilmot Voss
New York City’s deep fashion history created the foundation for the American fashion industry, though often missing from that story is the influence of newspaper fashion editors. Within the first few decades of the 20th century, these editors began to forge important shifts on how the fashion industry was reported on and who got to do that very reporting. For example, in the 1930s, when only fashion magazine reporters and store buyers were permitted in fashion shows, Milwaukee Journal fashion editor Aileen Ryan elbowed her way into New York City shows by simply ignoring the rule.
Excerpt: The Barbizon: The Hotel That Set Women Free
By Paulina Bren
There were two types of office-bound women. There were the secretaries who flooded New York’s shiny new skyscrapers in the 1920s and then hung on as best they could through the Great Depression. And then there were the women who had not just jobs but careers. Betsy Talbot Blackwell, or BTB, as she signed herself, was one of them.
Puerto Ricans who migrated to the United States in the early 20th century were not the first to do so. Trade and commerce linked Puerto Rico and the United States before the 19th century and movement between the two has continued since then. Piecing together the migration stories of Puerto Rican women who came to New York City after the Great War is quite challenging. These women were regular people, and until the 1960s and 1970s, there was little incentive to collect or archive their experiences.
Review: Robert A. McCaughey’s A College of Her Own: The History of Barnard
Reviewed by Kelly Marino
In A College of Her Own, scholar Robert McCaughey examines the history of Barnard College and the changes in its leadership, programs, and demographics from its founding in 1889 to the present. He argues that the school's administrators, location in New York City, and relationship with Columbia University made Barnard distinct among the “Seven Sisters,'' the group of elite women’s liberal arts colleges in the Northeast.
Alice Neel believed that “art is a form of history.” Born in 1900, she claimed that “I represent the 20th century… I’ve tried to capture the zeitgeist.” Yet her painting bore no resemblance to the vast canvases of iconic scenes from the French revolution by Jacques-Louis David, Anne-Louis Girodot, or Theodore Gericault. Instead, she portrayed the history of the 20th century through individual people — neighbors, friends, artists, celebrities, and political activists — that she knew in New York City, a city which might be considered the capital of the 20th-century — the successor to Paris as “the capital of the 19th-century.”
Dead Rivers and Day’s End: Cruising and Preserving New York’s Queer Imaginaries
By Fiona Anderson
Whenever I’m in New York, I make a point of spending time looking at the wooden pilings that stand in the Hudson, remnants of the warehouses and piers that occupied the waterfront until the mid-1980s. Gathered together in intimate coalition, they jut up and out along the riverside like rugged swimmers leaping in to rescue a drowning comrade. They look both like placeholders for future construction and hardy traces of a long-lost culture, like a forgotten work by Robert Smithson or an American Pompeii. This area is the subject of my recent book Cruising the Dead River: David Wojnarowicz and New York’s Ruined Waterfront (University of Chicago Press, 2019),which looks at how and why this site hosted a vibrant cruising scene and art scene in the late 1970s and early 1980s.
The Chinese Lady: An Interview with Nancy E. Davis
Interviewed by Hongdeng Gao
Today on the blog, editor Hongdeng Gao speaks to Nancy E. Davis about her recent book, The Chinese Lady: Afong Moy in Early America. Through creative use of disparate sources from many years of research, Davis captures the experiences of Afong Moy — the first recognized Chinese woman to arrive in America — as she introduced exotic goods from the East, as well as Chinese life, to the American public. The book provides rich insights into how Afong Moy’s presence changed Americans’ views of China and influenced American popular and material culture. It also sheds light on New York City’s role in the early US-China trade and the rise of the global marketplace.
In the political ferment of early 20th century New York City, when socialists and reformers battled sweatshops, and writers and artists thought a new world was being born, an immigrant Jewish woman from Russia appeared in the Yiddish press, in Carnegie Hall, and at rallies. Her name was Rose Pastor Stokes, and she fought for socialism, contraception and workers’ rights.
“Young people are making their voices heard”: From Harlem’s Youth Movement in the 1930s and 1940s to DSA-NYC
By Mary Reynolds
The ongoing press scrum over New York’s 2021 mayoral election has obscured the down-ticket candidates in the June 22 primary races for the City’s fifty-one Council seats. These contests could be better bellwethers for the city’s future, and recall a little-known era of the city’s radical past.
The Pornographic Archive and New York City History
Reviewed by Jeffrey Patrick Colgan
Certain significant portions of New York City’s history are indelibly linked to the production and consumption of hardcore pornography, and, conversely, the history of hardcore is without a doubt indebted to the city’s artistic, cultural, and economic history. Following the 1957 Roth v. United States ruling — which concerned New York City bookseller Samuel Roth and resulted in a narrower definition of obscenity — a series of Supreme Court decisions liberalized the production and exhibition of pornography and ushered in the so-called Golden Age of Porn. New York City was at the center of this pornographic revolution, where movies with explicit penetrative sex (aka hardcore) received wide, albeit controversial, theatrical distribution.
