The Journalism of Style: How New York’s Fashion Editors Set The Stage For Fashion Reporting
By Kimberly Wilmot Voss
New York City’s deep fashion history created the foundation for the American fashion industry, though often missing from that story is the influence of newspaper fashion editors. Within the first few decades of the 20th century, these editors began to forge important shifts on how the fashion industry was reported on and who got to do that very reporting. For example, in the 1930s, when only fashion magazine reporters and store buyers were permitted in fashion shows, Milwaukee Journal fashion editor Aileen Ryan elbowed her way into New York City shows by simply ignoring the rule.
Excerpt: The Barbizon: The Hotel That Set Women Free
By Paulina Bren
There were two types of office-bound women. There were the secretaries who flooded New York’s shiny new skyscrapers in the 1920s and then hung on as best they could through the Great Depression. And then there were the women who had not just jobs but careers. Betsy Talbot Blackwell, or BTB, as she signed herself, was one of them.
James Rivington: Music Purveyor in Revolutionary New York
By Lance Boos
Printer and bookseller James Rivington arrived in New York in the autumn of 1760 with a hoard of books, pamphlets, sheet music, and instruments ready for sale. Rivington (the namesake of Rivington Street in lower Manhattan) went on to become a prominent figure in New York: he was a fervent Loyalist propagandist during the American Revolution, a spy for the Americans late in the war, and one of the first merchants in the American colonies to import and advertise a significant amount of music.
The Chinese Lady: An Interview with Nancy E. Davis
Interviewed by Hongdeng Gao
Today on the blog, editor Hongdeng Gao speaks to Nancy E. Davis about her recent book, The Chinese Lady: Afong Moy in Early America. Through creative use of disparate sources from many years of research, Davis captures the experiences of Afong Moy — the first recognized Chinese woman to arrive in America — as she introduced exotic goods from the East, as well as Chinese life, to the American public. The book provides rich insights into how Afong Moy’s presence changed Americans’ views of China and influenced American popular and material culture. It also sheds light on New York City’s role in the early US-China trade and the rise of the global marketplace.
The First Cinemas in Black Harlem: A Look at the Silent Film Era, 1909-1926
By Agata Frymus
The history of cinemas in Harlem is as old — or, in fact a few years older — than its history as a lively center of Black life. Movie houses that opened their doors to African Americans in the late 1900s and early 1910s offer a fascinating insight into the history of Harlem’s residents.
“Young people are making their voices heard”: From Harlem’s Youth Movement in the 1930s and 1940s to DSA-NYC
By Mary Reynolds
The ongoing press scrum over New York’s 2021 mayoral election has obscured the down-ticket candidates in the June 22 primary races for the City’s fifty-one Council seats. These contests could be better bellwethers for the city’s future, and recall a little-known era of the city’s radical past.
The Pornographic Archive and New York City History
Reviewed by Jeffrey Patrick Colgan
Certain significant portions of New York City’s history are indelibly linked to the production and consumption of hardcore pornography, and, conversely, the history of hardcore is without a doubt indebted to the city’s artistic, cultural, and economic history. Following the 1957 Roth v. United States ruling — which concerned New York City bookseller Samuel Roth and resulted in a narrower definition of obscenity — a series of Supreme Court decisions liberalized the production and exhibition of pornography and ushered in the so-called Golden Age of Porn. New York City was at the center of this pornographic revolution, where movies with explicit penetrative sex (aka hardcore) received wide, albeit controversial, theatrical distribution.
Eva Tanguay's Racial and Gender Iconoclasticism and the Making of “Personality”
By Jonathan Goldman
When Dorothy Parker wanted to dunk on Billie Burke’s performance in the new Somerset Maugham play, she called Burke's acting “an impersonation of Eva Tanguay.”The reference may be obscure now, but it was not then. In January 1920, Tanguay had been a New York fixture and international celebrity for over fifteen years. Crowned “Queen of Vaudeville” by an infatuated press, from 1905 on she commanded her industry's highest salaries.
A Social History of Creative Work: Shannan Clark’s The Making of the American Creative Class
Reviewed by Emily Holloway
Shannan Clark’s The Making of the American Creative Class is, at first gloss, a rigorously detailed labor history of a particular subset of white-collar workers in the 20th century. Clark’s deliberately narrow sectoral focus — industrial design, print media, and advertising — also incorporates the complexities of cultural production under specific intellectual and political conditions. Rich with a detailed accounting of both the internal political strife within white-collar unions and the pervasive anticommunist anxiety of postwar America, Clark recovers a set of significant accomplishments among white-collar labor activists in mass culture.
Prehistoric and Ahead of Her Time: Sapphasaura at the Museum of Natural History
By Rachel Pitkin
In the summer of 1973, members of the newly formed Lesbian Feminist Liberation (LFL) group were engaged in a unique construction project in the Upper West Side backyard of one of its members, Robin Lutsky. A physically onerous labor of love, the project unfolded over ten days of round-the-clock attention, a last-ditch protest effort to gain the attention of one of New York’s most celebrated yet controversial institutions: the American Museum of Natural History (AMNH).
