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The Regional Nationalism of New York’s Literary World

The Regional Nationalism of New York’s Literary World

By Alex Zweber Leslie

In the 1840s literary New York was electric. The city was booming, and its material success fueled a surge in cultural aspirations. A new generation of authors, including Herman Melville, joined an influx of emigres such as Edgar Allan Poe and Caroline Kirkland, while old standbys like Washington Irving became firmly canonical. An explosion of new magazines devoted to arts and politics meant that there were ever more writing in print and editorial sides to take. Boston may have still been the nation’s cultural capital, but New York was experiencing a renaissance that shifted the regional balance of cultural authority. It was a world of tightly-knit cliques, petty rivalries, inside gossip, playful pseudonymity, waggish jokes, and, most of all, youthful hopes for the future of literature in America.

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