Inclusive Archiving, Public Art, and Representation at the Hall of Fame for Great Americans

By Cynthia Tobar

The Hall of Fame for Great Americans, created in 1900, was the first monument of its kind that sought the active involvement of Americans in nominating their favorite "Great Americans.” The Hall was conceived of by Dr. Henry Mitchell MacCracken, Chancellor of New York University (NYU), who envisioned a democratic election process for selecting these greats modeled after presidential elections. Nominations came to the election center and after a person received a certain number of votes, an NYU Senate of 100 voters made the final choice. The Senate was composed of American leaders: past American presidents, presidents of colleges, senators, and men of renown in various fields. Problems soon arose, however, when this initial process yielded 29 nominees, all male. The lack of women created a scandal and in the next election eight women were elected (currently, there are 11 women in the Hall). However, the contentious nomination of Robert E. Lee remained.

Bronx, Education, Politics, Arts & CultureGuest UserJuly 18, 2019Hall of Fame for Great Americans, New York University, United Daughters of the Confederacy, Robert E. Lee, Sonewall Jackson, J. Marion Sims, Booker T. Washington, Bronx Community College, Franklin D. RooseveltComment

How Do We Mourn Publicly? Memorialization and the Triangle Shirtwaist Factory Fire

How Do We Mourn Publicly?: Memorialization and the Triangle Shirtwaist Factory Fire

By Kim Dramer

Around the turn of the 20th century, the shirtwaist, a type of blouse, was the choice of fashionable New York women. Stylish women in shirtwaists embellished by intricate tucks and lace inserts cut an elegant figure on the streets of New York. But the ample cut of the shirtwaist also gave the freedom of movement required by women who toiled in the city’s sweatshops where the shirtwaists were cut, sewn and trimmed. Across lower Manhattan, garment factories sprang up in which row after row of young women sat behind sewing machines. In their pursuit of the American dream, they toiled long hours for low wages, enduring dangerous working conditions. At the turn of the 20th century, there were more than 500 blouse factories in New York City, employing upwards of 40,000 workers.[1]