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Posts in Manhattan
"The Dutch": Bouweries and Early Settlement in New Amsterdam

"The Dutch": Bouweries and Early Settlement in New Amsterdam

By Alice Sparberg Alexiou

The settlement was to be called New Amsterdam, and it would serve as headquarters of New Netherland, which stretched from New England to Virginia. The Dutch had claimed the vast territory — a claim the English refused to recognize — after Henry Hudson in 1609 sailed the Half Moon up the river that would bear his name.

From Devil's Mile: The Rich, Gritty History of The Bowery by Alice Sparberg Alexiou, copyright 2018 by the author and reprinted by permission of St. Martin's Press.

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Schlep in the City: Walking Broadway

Schlep in the City: Walking Broadway

By Katie Uva

New York City can be overwhelming in its vastness — more than 300 square miles, more than 8.5 million people, and so many distinct neighborhoods and languages spoken here that the number of neighborhoods and languages aren’t even fully agreed upon. New York City’s streets are the nervous system binding this far flung place and giant population together and their idiosyncrasies seem fitting for this metropolis — ​Edgar Street and Mill Lane in Manhattan vie for shortest street, while my childhood in Queens was punctuated by persistent confusion about whether I lived on 68th Road, Drive, or Avenue. Each borough has a Main Street, and Waverly Place has the distinction of being the only street in New York that actually crosses itself.

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Defending New York After the Revolution: The Governorship of John Jay

Defending New York After the Revolution: The Governorship of John Jay

By Robb K. Haberman

A specter haunted the city and port of New York during the Quasi-War (1798-1800) and the years preceding it. With the young republics of France and the United States engaged in undeclared naval warfare, New Yorkers feared a seaborne strike would lay waste to their community and cripple its thriving maritime commerce. Although unrealized, these fears were certainly justified; despite attempts to construct an adequate system of defense, the city remained incapable of withstanding assault. Indeed, in March 1798, one official highlighted New York’s vulnerability, noting that its immense wealth and property “invite invasion” and that it would be helpless if set upon by a “single Twenty Gun privateer.” Many residents recalled with bitterness the great fire of 1776, a conflagration that had destroyed a quarter of the city, and feared that New York would soon be revisited by a similar trauma.

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Black Nationalist Women's Activism in 1920s Harlem

Black Nationalist Women's Activism in 1920s Harlem

By Keisha N. Blain

Founded by Marcus Garvey, with the assistance of Amy Ashwood, in Kingston, Jamaica, in 1914, the UNIA (Universal Negro Improvement Association) was the largest and most influential Pan-Africanist movement of the twentieth century. Emphasizing racial pride, black political self-determination, racial separatism, African heritage, economic self-sufficiency, and African redemption from European colonization, Garvey envisioned the UNIA as a vehicle for improving the social, political, and economic conditions of black people everywhere. From Kingston, Jamaica, Garvey oversaw UNIA affairs before relocating to Harlem. At its peak, from 1919 to 1924, the organization attracted millions of followers in more than forty countries around the world.

This post is excerpted and adapted from Set the World on Fire: Black Nationalist Women and the Global Struggle for Freedom, courtesy of University of Pennsylvania Press.

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A (Female) Walker in the City: An interview with Lauren Elkin

A (Female) Walker in the City: An interview with Lauren Elkin

Today on Gotham, editor Nick Juravich speaks with Lauren Elkin, about her recent book Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, selected as a Book of the Year by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street, and shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay.

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Enter Donald: The Trump Empire Goes to Manhattan

Enter Donald: The Trump Empire Goes to Manhattan

By Gwenda Blair

At the age of twenty-six Donald Trump had sealed his first multi-million-dollar deal. It was a sweet thing for a young man who had been his father’s full-time student ever since graduation from Wharton. Every morning he and his father drove from Jamaica Estates to Fred Trump’s modest office in Beach Haven, one of the large housing developments the older man had built near Coney Island in the early 1950s. Inside a nondescript, three-story brick building on Avenue Z, the headquarters of the Trump family empire still looked like the dentist’s office it had once been, with a linoleum floor, shag carpet, and chest-high partitions between cubicles.

This is the last of three profiles of the Trump patriarchs, adapted from the author's bestseller, The Trumps: Three Builders and a President, courtesy of Simon & Schuster.

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Daniel Kane's "Poetry and Punk Rock in NYC"

Daniel Kane's "Poetry and Punk Rock in NYC"

Reviewed by Louie Dean Valencia-García

Punk culture, like most subcultures, depends upon mythology. These mythologies are built around people, spaces, and events of the past, often reused to create something new — pieced together in what cultural theorist Dick Hebdige calls “bricolage.” Daniel Kane’s “Do You Have a Band?”: Poetry and Punk Rock in New York City attempts to demystify one particular aspect of the early days of the New York City punk scene: its connection to the New York poetry scene. In a way, this work functions much like a sequel to the author’s 2003 work, All Poets Welcome: The Lower East Side Poetry Scene in the 1960s, focusing primarily on the well-known. Kane gives just about equal time to both analysis of poetic influences and to biography, intertwining them in his narrative. Do You Have a Band? is divided into chapters that focus on The Fugs, Lou Reed, St. Mark’s Poetry Project, Richard Hell, Patti Smith, Eileen Myles, Dennis Cooper, and Jim Carroll. The author’s decision to focus on these individuals and places does not surprise — they all fit into a sort of mythologized New York proto-punk canon. When given the opportunity to talk about punk-poets outside the canon, Kane avoids researching the less-famous individuals who were part of the scene. This focus on the select few is particularly noticeable in choices such as Kane’s decision not to elaborate upon the lesser known poets that figured into the mimeograph punk poet magazine published by Richard Hell — leaving the mythology of the New York punk-poetry scene largely intact.

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Myth #8: Static Manhattan, Part II

Myth #8: Static Manhattan, Part II

By Gerard Koeppel and Jason M. Barr

Today, the image of Manhattan is as a vertical city — a place that, as E. B. White saw it, “has been compelled to expand skyward because of the absence of any other direction in which to grow.” With our eyes focused skyward, we think little of the city’s horizontal expansion, as the grid plan seemingly set Manhattan in stone, literally and figuratively.

This is the final installment of the authors' series The Manhattan Street Grid: Misconceptions and Corrections.

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Myth # 7: Static Manhattan, Part I

Myth # 7: Static Manhattan, Part I

By Jason M. Barr and Gerard Koeppel

Today, Manhattan is synonymous with its Cartesian configuration. Unlike a standard mathematical graph, which starts at the intersection of zero and zero, Manhattan “begins” at First Street and First Avenue (the “nexus of the universe,” according to Seinfeld’s Kramer). From there, it’s a simple counting exercise north or west. The integer-based order creates the perception that Manhattan is a frozen lattice.

But, when one starts to look a bit deeper, we can see that the grid plan has, in fact, shown significant evolution, both in the early phases of its implementation and throughout the 20th century. Though the pace of change is slow, a “helicopter tour” through time reveals these cumulative modifications.

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