The Power Keys
Exhibition Review, “Robert Caro’s the Power Broker at 50” and “‘Turn Every Page’: Inside the Robert A. Caro Archive,” New-York Historical Society.
Staged News: The Federal Theatre Project’s Living Newspapers in New York
Review By J.J. Butts
Jordana Cox’s excellent study Staged News: The Federal Theatre Project’s Living Newspapers in New York explores the history of the New York Living Newspapers (NYLN) unit, revealing its complex engagement with news and performance. The focus on journalism within the FTP separates her book from many others on New Deal writing and performance arts. Scholars highlighting the value of the FTP and Federal Writers’ Project (FWP) have often made a case for them around the artistic innovations or careers they nourished. However, journalists constituted one of the major categories of writing professionals seeking work relief, and journalism prepared them for the kinds of fact-based work that typified many of the FTP and FWP productions. In consequence, Cox’s focus on the way the newsroom shaped and was reshaped by the Living Newspapers refreshingly spotlights a crucial element of the story of New Deal culture.
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Our Secret Society: Mollie Moon and the Glamour, Money, and Power behind the Civil Rights Movement
Review By Dominique Jean-Louis
Tanisha Ford describes Mollie Moon, and social power brokers like her, as “the glue that connected Black social clubs, church groups, sororities, fraternities, and professional organizations into a national network of contributors who gave of their time and money to keep the movement afloat,” forming a “Black Freedom financial grid [that] established the economic base that supported the frontline activism of Martin Luther King Jr., Fannie Lou Hamer, and John Lewis.” Mollie Moon was perhaps best known for her role as head of the National Urban League Guild, the social and volunteer auxiliary arm of the National Urban League, connecting a national grid of donors, activists, strategists and philanthropists
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Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City
Review By Douglas Flowe
This work is not only timely but reflective of growing scholarship on law enforcement that places New York City front and center; rightfully so considering how influential Gotham is in terms of law enforcement and penology. With resources like the La Guardia papers, court record books, oral histories, and NAACP papers from the Library of Congress, Brooks has crafted a major contribution to the history of the often overlooked mid-twentieth century development of America’s criminal justice system; a story that will be relevant to all students of law, urban history, criminality, and twentieth-century politics.
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The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront
Review By Tom Greenland
Professor Cisco Bradley’s book, The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, is product of a decade-long investigation into the creative music scene(s) hovering around Brooklyn’s Williamsburg neighborhood from 1988 to 2014, documenting its ostensible rise and fall. The narrative pits struggling DIY artists against the 2005 rezoning and consequent gentrification that brought economic sea changes on the area, a battle between art and capitalism, with capitalism the clear victor.
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Police and the Empire City: Race and the Origins of Modern Policing in New York
Review By Emily Holloway
Set from the original founding of the NYPD in 1845 and concluding around the first World War, Guariglia’s book situates the NYPD as a medium of American imperial ambition and statecraft. Police and the Empire City is not merely a history of the country’s largest and most influential police department; it also positions the NYPD as a repository of scientific knowledge about race, gender, and sexuality that is mobilized and iterated to assert state authority and preserve order.
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The “Puerto Rican Problem” in Postwar New York City
Review By Kenneth M. Donovan
Perhaps most significantly, the book sheds light on how ideas about Puerto Ricans and Puerto Rico itself were constructed and incorporated into public policy and popular culture. According to Meléndez, those ideas have had staying power. As the island of Puerto Rico faces ongoing challenges in the present, from crippling debt to the privatization of its electric power, it seems that, to quote Melendez, “the ‘Puerto Rican Problem’ has not disappeared. It has simply changed shape.”
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The Slip: The New York City Street That Changed American Art Forever
Review By Miriam Grotte-Jacobs
Immortalized by writers like Herman Melville and Walt Whitman, the Slip dates back to the seventeenth century, a liminal site between land and water that maintained, as Peiffer argues, an altogether distinct sensibility; a place apart from the rest of Manhattan that offered artistic alternatives to its inhabitants with major consequences for the trajectory of modernism and postmodernism in the United States. A counternarrative to accounts of the New York art world that center around Cedar Tavern and Max’s Kansas City, Peiffer offers a close reading of a different New York and the artistic community it enabled.
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Mobilizing the Metropolis: How the Port Authority Built New York
Review by Elizabeth M. Marcello and Gail Radford
The New York City metropolitan area boasts an impressive infrastructural network that moves people, trains, motor vehicles, freight, ships, and airplanes. At the center of this network is the Port Authority of New York and New Jersey, the subject of Philip Mark Plotch and Jen Nelles’s Mobilizing the Metropolis, which they offer as a “reflective history” of this particular agency, but also as a series of “lessons” for other agencies around the country built on the public authority model.
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