In Brooklyn Heights, Private Schools Won So Integration Lost
By Rebecca Zimmerman
Public and private schools’ histories have often been told separately. By including private schools in the story of the attempted integration of Brooklyn Heights, we can better understand how they came to take on so much power. Furthermore, private schools are an underexplored actor within this tumultuous moment in New York City’s schools. With the added pressures of the 1964 school boycott and 1968 teacher strike, private schools got a unique boost from parents who gave up on public schooling. Those parents charted a course that continues to this day, with Brooklyn Heights private schools growing in both campus size and enrollment numbers over the second half of the twentieth century. This story also partly explains why New York’s public schools remain among the most segregated today.
At the end of the American Revolution, even as slavery was on the decline in places like Philadelphia, Boston, and neighboring Manhattan, slavery’s numbers strengthened in Brooklyn. And that traumatic history is intricately tied to the land. The economy in Kings County was still largely agricultural, and so it was the labor of enslaved people of African descent who made this land a capitalist possibility. Simply put, there would be no Brooklyn without the labor of unfree Brooklynites. That history deserves to be honored; we owe Black Brooklynites a debt today as New Yorkers. In addition, the idea of Brooklyn that we know today — a brand in its own right, with its own attitude and its own entrepreneurial spirit — all of that is deeply embedded in the history of its free Black communities.
Going to Market: Wallabout Market and the Vanished Landscapes of Food Distribution in New York City
By Malka Simon
Wallabout Market no longer exists. Its facilities were bulldozed by the Navy Yard in 1941 to make more space for wartime production, and Brooklyn’s wholesale operations moved to the Terminal Market in Canarsie. But Wallabout’s rise and fall still has much to teach us about the rhythms of the city and the urban patterns that unfold in response to even the most ephemeral of commodities.
How the Catholic Church Drove Suburban Expansion Within and Outside New York City
By Stephen M. Koeth, C.S.C.
Often overlooked, therefore, is the role that Catholic leaders, associations, and media played in spurring suburbanization, shaping the pattern of suburban development, and establishing the necessary infrastructure to sustain suburban communities. The Catholic bishops of metropolitan New York cooperated with urban planners and developers in order to maximize the Church’s real estate holdings and to anticipate where the Church would need to expand in order to serve its suburbanizing flock. They also moved financial resources from well-established urban parishes to newly established suburban parishes and oversaw massive building campaigns in suburban areas.
The Case of Ernest Gallashaw: Achieving Justice in an Earlier Era of White-Backlash Politics
By Robert Polner and Michael Tubridy
The episode proved to be a revelatory moment in a city whose conceit of tolerance was belied by stark economic inequality as well as segregation in housing, employment and schools. Now virtually forgotten, the eruption on poor and working-class streets 15 miles from City Hall was—and still remains—historically significant for signaling New York City’s seething racial tensions and the potential for intense right-wing reaction.
“Our Brooklyn Correspondent”: William J. Wilson Writes the City
By Britt Rusert
William J. Wilson may very well have been New York’s first Black culture critic. A self-stylized flâneur, cultural aesthete, and frequent contributor to Black periodicals throughout the 1840s and 50s, he wrote under the name “Ethiop” and as “Brooklyn Correspondent” for Frederick Douglass’ Paper. In these columns, he provided readers across the nation with on-the-ground reports of New York’s people, places, and happenings based on his frequent “ramblings” around the city. Wilson was particularly interested in the sights and sounds of Broadway as it emerged as a hub of culture, entertainment, and conspicuous consumption in the middle of the century. Wilson would make his own contribution to the city’s cultural scene in 1859 with his publication of the Afric-American Picture Gallery, an experimental text that imagines the first museum of Black Art in the United States
Born in New York City in 1815, she [Emma Stebbins] was one of the most famous and applauded American sculptors in 1863 when she got the commission for the fountain, the first woman to be commissioned for a public artwork in New York City. But after the inauguration she retired from artistic activity and was soon forgotten. When Emma died in 1882, the New York Times did not dedicate an obituary to her, or even a news item. Only in 2019 it published an article on her for its “Overlooked” series: a posthumous tribute, atoning for the newspaper’s silence on such a remarkable artist.
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront
Review By Tom Greenland
Professor Cisco Bradley’s book, The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, is product of a decade-long investigation into the creative music scene(s) hovering around Brooklyn’s Williamsburg neighborhood from 1988 to 2014, documenting its ostensible rise and fall. The narrative pits struggling DIY artists against the 2005 rezoning and consequent gentrification that brought economic sea changes on the area, a battle between art and capitalism, with capitalism the clear victor.
Sarah Smith Tompkins Garnet: A Most Remarkable Suffragist
By Susan Goodier
Black women did not need white women to patronize, direct, organize, or financially support their efforts. They already had quite a few active suffragists, and several prominent leaders, including Sarah Garnet, and at least one organization in the city dedicated to women’s suffrage. In fact, virtually every Black women organization, established for whatever purpose—anti-lynching, racial uplift, integrated education, temperance—also supported women’s suffrage. It is the universality and intersectionality of Black women’s vision of equality and rights for women—as opposed to exclusion and limitation—that differentiates their suffrage activism from that of many white women’s organizations of the period.
Streets in Play: The Playstreets Photography of Katrina Thomas
By Rebekah Burgess and Mariana Mogilevich
Photographs of recreation programs like this one were commissioned to offer visual proof that, after four summers of nation-wide protest and violence, starting in Harlem and Bedford-Stuyvesant in 1964, the city was compensating for a long-term lack of investment in low-income, racially segregated neighborhoods…. A few of Thomas’ images were utilized for official purposes, reproduced in pamphlets to attract or to thank program sponsors, but her exceptional eye transcended the municipal task. Her lens recorded the city's sponsored activities as well as the more candid action at the edge of the frame. These captivating, impromptu images provide a rare perspective on a distressed urban landscape, privileging a child’s-eye view of the possibilities for play and delight.
