One Day in New York, 1882: Interview with Filmmaker Arne Peisker
Interviewed by David Huyssen
Today on the blog, David Huyssen speaks with Arne Peisker, a director with the German/American production company, Story House Productions, about his new documentary film, One Day in New York, 1882. The film is part of a series, and in the final stages of production for one of Germany’s major national broadcasters, ZDF.
Read More“Ten Thousand Bigamists in New York”:
The Criminalization of Jewish Immigrants Using White Slavery Panics
By Mia Brett
The late 19th century and early 20th century saw a huge influx of Jewish immigrants settling in New York City. Eastern European Yiddish speaking immigrants fled the Pale Settlements due to violent pogroms and punitive decrees after the assassination of Tsar Alexander II in 1881.[1] This rise in immigration created a backlash of nativism and criminalization. In particular, anti-Jewish bigotry in New York City’s criminal justice system began to take the form of large-scale stereotypical assumptions as police, judges, prosecutors, and investigators became more familiar with Jewish immigrants from Russia and Poland.
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Refuge in the Heights: Migration, Memory and Authoritarianism in the Twentieth Century
By Robert W. Snyder
Immigrants travel with baggage, and some of the most important things they carry are their memories of life in their original homes. In Washington Heights and Inwood, where immigrants include German Jews, Dominicans, and Jews from the former Soviet Union, personal and collective memories embrace an unusual cast of characters: some of the most brutal dictators of the 20th century.
Upper Manhattan is haunted, you might say, by memories of Hitler, Trujillo, and Stalin.
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Jump Up! Caribbean Carnival Music in New York City
Reviewed by Gage Averill
It is fitting that it was two New Yorkers in the early 1930s, Harold Arlen and Ted Koehler, who composed the showtune “I Love a Parade,” because for all the diversity and excess of its public processions, there is likely no city anywhere that has exceeded New York. The home of the renowned ticker-tape parades, the Macy’s Day Parade, the St Patrick’s Day Parade, NYC Pride the Village Halloween Parade, and numerous ethnic celebrations (modeled on St. Patrick’s), New York City’s streetscapes have conferred both prestige and visibility on those who have been able to muster the necessary funding and authorizations and crowds. It is not without a powerful sense of the current moment, the Covid-19 pandemic, that I’ve taken on the otherwise enviable, and the now more somber, task of reviewing a book about some of the most raucous, colorful, noisy and crowded events in New York: Brooklyn’s Caribbean Carnival celebrations.
Read MoreThe Unstoppable Irish: Songs and Integration of the New York Irish, 1783-1883
Interview by Elizabeth Stack
Today on the blog, Gotham editor Elizabeth Stack speaks with Dan Milner about his recent book, The Unstoppable Irish: Songs and Integration of the New York Irish, 1783-1883 and the importance of music to the Irish people both in Ireland and New York.
The Unstoppable Irish follows the changing fortunes of New York's Irish Catholics, commencing with the evacuation of British military forces in late 1783 and concluding one hundred years later with the completion of the initial term of the city's first Catholic mayor. During that century, Hibernians first coalesced and then rose in uneven progression from being a variously dismissed, despised, and feared foreign group to ultimately receiving de facto acceptance as constituent members of the city's population. Dan Milner presents evidence that the Catholic Irish of New York gradually integrated (came into common and equal membership) into the city populace rather than assimilated (adopted the culture of a larger host group). Assimilation had always been an option for Catholics, even in Ireland. In order to fit in, they needed only to adopt mainstream Anglo-Protestant identity. But the same virile strain within the Hibernian psyche that had overwhelmingly rejected the abandonment of Gaelic Catholic being in Ireland continued to hold forth in Manhattan and the community remained largely intact. A novel aspect of Milner's treatment is his use of song texts in combination with period news reports and existing scholarship to develop a fuller picture of the Catholic Irish struggle. Products of a highly verbal and passionately musical people, Irish folk and popular songs provide special insight into the popularly held attitudes and beliefs of the integration epoch.
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Racial Migrations: New York City and the Revolutionary Politics of the Spanish Caribbean
Jesse Hoffnung-Garskof, interviewed by Tyesha Maddox
In the late nineteenth century, a small group of Cubans and Puerto Ricans of African descent settled in the segregated tenements of New York City. Jesse Hoffnung-Garskof’s book presents a vivid portrait of these largely forgotten revolutionaries and reveals the complexities of race-making within migrant communities and the power of small groups of immigrants to transform their home societies.
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