The American Museum of Natural History and How It Got That Way
Reviewed by Steven H. Jaffe
One of the privileges of growing up in New York City, or of visiting the city at a young age, is the opportunity to be exposed to the magic of the American Museum of Natural History (AMNH). Long before e-games, the internet, or even radio and television, the museum’s treasures brought to life the creatures and peoples of the world and the wonders of the universe. Admittedly, recent confrontations with activists protesting the racial politics of the museum’s Theodore Roosevelt Memorial statue on Central Park West and the outdated portrayal of Native Americans in its galleries, as well as critical assessments by scholars, point up just how profoundly AMNH and other museums founded in the nineteenth and twentieth centuries nurtured some of our most toxic assumptions. The museum’s past trustees, directors, curators, and designers played pivotal roles in bringing to public life a referential framework that classified all non-European peoples as “other” and in some sense “primitive.” (Evidently, non-Europeans, no matter how complex or dynamic their cultures, fell under the rubric of “Natural History,” just like orangutans, jellyfish, or dinosaurs—a fate avoided by European societies and their offshoots, and a categorization that still burdens museums in this century.)
Read More