Party Profits: Political Machines as Money-Making Ventures in Gilded Age New York
Reviewed by Atiba Pertilla
The 2020 presidential campaign is coming to a close with controversies swirling over the alleged and established entanglement of the two main candidates, Joe Biden and Donald Trump, in a variety of schemes to use their political position to benefit themselves or their families. At the heart of these concerns lies a conviction that profiting from political connections is a primary driver of Americans’ loss of faith in their elected representatives. Electoral Capitalism, a new book by Jeffrey Broxmeyer, focuses on public graft and political machines in Gilded Age New York and is a timely look at how earlier voters faced similar questions.
Today on the blog, Gotham editor, Hongdeng Gao interviews Ariella Rotramel, author of Pushing Back: Women of Color–Led Grassroots Activism in New York City. The book explores women of color’s grassroots leadership in organizations that are not singularly identified with feminism. Centered in New York City, Pushing Back brings an intersectional perspective to communities of color as it addresses injustices tied to domestic work, housing, and environmental policies and practices.
Thomas J. Shelley has added to his already substantial oeuvre of New York Catholic history with the publication of Upper West Side Catholics: Liberal Catholicism in a Conservative Archdiocese: The Church of the Ascension, New York City, 1895-2020 (New York: Empire State Editions, 2020).[1] His deep and broad understanding of New York’s Catholic institutions provides the context for his study of the Church of the Ascension, which was founded in 1895 on the Upper West Side. While his history of Ascension starts from its founding, Shelley’s book offers an extended view of the neighborhood during the 1960s and 1970s, a period when demographic transition overlapped with economic decline and produced immense political conflicts that destabilized New York’s institutions, including the Catholic Church.
“Ten Thousand Bigamists in New York”: The Criminalization of Jewish Immigrants Using White Slavery Panics
By Mia Brett
The late 19th century and early 20th century saw a huge influx of Jewish immigrants settling in New York City. Eastern European Yiddish speaking immigrants fled the Pale Settlements due to violent pogroms and punitive decrees after the assassination of Tsar Alexander II in 1881.[1] This rise in immigration created a backlash of nativism and criminalization. In particular, anti-Jewish bigotry in New York City’s criminal justice system began to take the form of large-scale stereotypical assumptions as police, judges, prosecutors, and investigators became more familiar with Jewish immigrants from Russia and Poland.
Stages, Streets, and Screens: The Geography of NYC Dance in the 1960s-1970s “Dance Boom”
By Emily Hawk
In the early 1970s, New Yorkers could see concert dance performances at Lincoln Center as well as in the open-air splendor of Central Park’s Delacorte Theater. Crowds could gather in Harlem to catch the DanceMobile, and families could turn on their television sets to watch evening-length concerts on PBS. The prevalence of dance throughout and beyond the city resulted from the “dance boom” in the previous decade.
Imitation Artist: An Interview with Sunny Stalter-Pace
Interviewed by Katie Uva
Today on the blog, Katie Uva talks to Sunny Stalter-Pace, author of the recently published Imitation Artist: Gertrude Hoffmann’s Life in Vaudeville and Dance. The book examines the life and times of Gertrude Hoffmann, an early 20th century dancer and choreographer whose career highlights the intersections of high and low culture in the performing arts of that era.
Monuments of Colonial New York: George III and Liberty Poles
Wendy Bellion and Shira Lurie
For the last installment in our six-part series on monuments in / about colonial Gotham, Wendy Bellion and Shira Lurie discuss NYC’s rebellion against British rule during the volatile decade before the War for Independence. Bellion begins with a story of destruction — the tearing down of the statue of George III in Bowling Green. Lurie tells of construction — the raising of five liberty poles on the Common (present day City Hall Park).
Monuments of Colonial New York: Stuyvesant and Hudson
Douglas Hunter and Nicole Maskiell
Today’s installments in Gotham’s ongoing series on monuments in / about colonial NYC, takes us back to Nieuw Amsterdam. Douglas Hunter and Nicole Maskiell ask us to reconsider the memorials of two dominant figures of the Dutch period: Henry Hudson and Petrus Stuyvesant. Uniting their pieces is a call to think more about the men — and in Maskiell’s case, the women, too — who toiled under these leaders.
Monuments of Colonial New York: The Tulip Tree and 'Signal'
Lisa Blee and John C. Winters
This week Gotham presents a six-part series on monuments, statues, and commemorations in / about colonial New York City. Recognizing that one of the more recent debates over public memory has been the conflict over Columbus / Indigenous People’s Day, we begin with Lisa Blee and John C. Winters, who examine monuments of and by Native peoples in Manhattan.
In the summer of 1795, New Yorkers were protesting in the streets over the ratification of the controversial treaty John Jay had signed with Great Britain the previous fall.[1] Suddenly, the city’s soaring political fevers collided with the real thing. Around July 19, the British ship Zephyr arrived at New York from Port-au-Prince and unloaded most of its cargo at the foot of William Street before sailing out into the East River to dump 22 barrels of spoiled coffee.
