Prohibition New York City: An Interview with David Rosen
Interviewed by David Huyssen
Today on the blog, editor David Huyssen speaks with David Rosen, independent writer and historian, about his new book Prohibition New York City:Speakeasy Queen Texas Guinan, Blind Pigs, Drag Balls and More (Charleston, SC: The History Press, 2020), his third book on transgression in American life, and second focusing on New York City.
Recently, I led the first digital history walk of the Harlem River, with Duane Bailey-Castro and Nathan Kensinger. Using their photos to explore the river’s history, we focused on how the Harlem has been disconnected from its community, and what can be done to reconnect with it. But I also used the experience to clarify the value of river history more generally. If there’s one thing the COVID-19 pandemic has made clear, it’s that the virus has exacerbated existing inequalities in our country.
At this moment, the United States confronts multiple crises. COVID-19 has killed more than 200,000 people and infected more than six million, though these numbers are certainly undercounted. The virus’s impact, though indiscriminate, is disproportionately felt in communities of color who are more likely to experience serious illness, hospitalization, and death.
Rev. Charles Inglis was distraught. “I cannot express the Distress I felt at hearing of your Embarkation for England, & the Cause of it,” he wrote. It was June 1775 and Myles Cooper, his close friend and colleague, had recently departed Manhattan for Britain. Cooper, one of the city’s most prominent and outspoken loyalists, and had long been targeted by revolutionaries. Just a few months before, he was among five New Yorkers who were warned in a April 25, 1775 letter from “Three Millions” that Parliament’s “Repeated insults and unparalleled oppressions” had reduced colonial Americans “to a state of desperation.”
Party Profits: Political Machines as Money-Making Ventures in Gilded Age New York
Reviewed by Atiba Pertilla
The 2020 presidential campaign is coming to a close with controversies swirling over the alleged and established entanglement of the two main candidates, Joe Biden and Donald Trump, in a variety of schemes to use their political position to benefit themselves or their families. At the heart of these concerns lies a conviction that profiting from political connections is a primary driver of Americans’ loss of faith in their elected representatives. Electoral Capitalism, a new book by Jeffrey Broxmeyer, focuses on public graft and political machines in Gilded Age New York and is a timely look at how earlier voters faced similar questions.
Today on the blog, Gotham editor, Hongdeng Gao interviews Ariella Rotramel, author of Pushing Back: Women of Color–Led Grassroots Activism in New York City. The book explores women of color’s grassroots leadership in organizations that are not singularly identified with feminism. Centered in New York City, Pushing Back brings an intersectional perspective to communities of color as it addresses injustices tied to domestic work, housing, and environmental policies and practices.
Thomas J. Shelley has added to his already substantial oeuvre of New York Catholic history with the publication of Upper West Side Catholics: Liberal Catholicism in a Conservative Archdiocese: The Church of the Ascension, New York City, 1895-2020 (New York: Empire State Editions, 2020).[1] His deep and broad understanding of New York’s Catholic institutions provides the context for his study of the Church of the Ascension, which was founded in 1895 on the Upper West Side. While his history of Ascension starts from its founding, Shelley’s book offers an extended view of the neighborhood during the 1960s and 1970s, a period when demographic transition overlapped with economic decline and produced immense political conflicts that destabilized New York’s institutions, including the Catholic Church.
“Ten Thousand Bigamists in New York”: The Criminalization of Jewish Immigrants Using White Slavery Panics
By Mia Brett
The late 19th century and early 20th century saw a huge influx of Jewish immigrants settling in New York City. Eastern European Yiddish speaking immigrants fled the Pale Settlements due to violent pogroms and punitive decrees after the assassination of Tsar Alexander II in 1881.[1] This rise in immigration created a backlash of nativism and criminalization. In particular, anti-Jewish bigotry in New York City’s criminal justice system began to take the form of large-scale stereotypical assumptions as police, judges, prosecutors, and investigators became more familiar with Jewish immigrants from Russia and Poland.
Stages, Streets, and Screens: The Geography of NYC Dance in the 1960s-1970s “Dance Boom”
By Emily Hawk
In the early 1970s, New Yorkers could see concert dance performances at Lincoln Center as well as in the open-air splendor of Central Park’s Delacorte Theater. Crowds could gather in Harlem to catch the DanceMobile, and families could turn on their television sets to watch evening-length concerts on PBS. The prevalence of dance throughout and beyond the city resulted from the “dance boom” in the previous decade.
Imitation Artist: An Interview with Sunny Stalter-Pace
Interviewed by Katie Uva
Today on the blog, Katie Uva talks to Sunny Stalter-Pace, author of the recently published Imitation Artist: Gertrude Hoffmann’s Life in Vaudeville and Dance. The book examines the life and times of Gertrude Hoffmann, an early 20th century dancer and choreographer whose career highlights the intersections of high and low culture in the performing arts of that era.
