Today on the blog, we mark the 50th anniversary of the Stonewall Riots with a series of short essays by activists, writers, and scholars whose lives and work have been shaped by the events of June 1969 and their aftermath. This year, the scale of celebration and commemoration in New York is larger than ever — more than 4 million people are expected to attend this weekend’s festivities, and an estimated 115,000 people will be marching at Pride.
Read MorePeople often ask me if I was “at Stonewall,” and I’m one of the few people who will definitely say, “No.” I was actually around the corner at an old bar called Julius’, when some young men raced in to tell us that “the girls are rioting at the Stonewall!”
Read MoreToday on the blog, we talk to Marc Stein about his new book, The Stonewall Riots: A Documentary History. In it, he compiles 200 documents that shed light on the years immediately preceding and after the events at Stonewall.
Read MoreOn the (Queer) Waterfront is currently on view at the Brooklyn Historical Society (March 6-August 4), and offers glimpses of individual LGBTQ lives from the mid-1800s through the post-WWII period. Co-curated by Avram Finkelstein and Hugh Ryan, the exhibit is based on Ryan's recently published book, When Brooklyn was Queer, which focuses on the borough as a whole, though with a strong anchor (pun intended) to the waterfront.
Read MoreStephen R. Duncan’s new book admirably fills a void in the historiography of 20th century American culture. We long have recognized that between the storied nightclub era of Prohibition days and the age of rock ’n’ roll, there was a perceptible but elusive set of nightlife entertainment venues that kept radical left-wing political values percolating during the Depression, World War II, and the Cold War. Historians have explored chapters in New York City’s interregnum — David Stowe, for example, covers Cafe Society in the late 1930s, Patrick Burke describes the jazz clubs on 52nd Street, and James Gavin chronicles European-style cabaret — but a comprehensive history, with more of a national perspective, has been lacking. Duncan’s ambitious and wide-ranging work makes a terrific new contribution toward defining the paramount significance of radical and intimate performance venues of the 1940s, 1950s, and early 1960s.
Read More“Pick a random book about ‘New York City’ history, and chances are, it will mention Brooklyn… sporadically if at all. The chance that it talks about the queer history of Brooklyn? Nearly zero.” Thus writes Hugh Ryan, a curator and author whose new book, When Brooklyn Was Queer, marks a first attempt at correcting the ingrained Manhattan-centrism of queer studies and recovering the stories of queer Brooklynites in particular.
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