By Sarah Miller-Davenport
When Richard Serra’s Tilted Arc was installed in Federal Plaza in Lower Manhattan’s Foley Square in 1981, it was meant to be a pioneering work of public art that would expose New York’s masses to post-minimalist sculpture. Tilted Arc would indeed become one of the most legendary sculptures in 20th century history—but not for its artistic merit.
Read MoreInterviewed by Katie Uva
Today on the blog, Katie Uva interviews Jen Jack Gieseking about their mapping project, An Everyday Queer New York, a companion project to his book A Queer New York: Geographies of Lesbians, Dykes, and Queers, forthcoming in 2020. Jack discusses the challenges and opportunities in mapping as a way of understanding lesbian, gay, bisexual, trans, and queer (LGBTQ+) history in general, and the history of queer women and trans and gender non-conforming people (tgncp) in particular.
Read MoreAdapted from writing in Voice of Queensbridge: Stories from the Nation’s Largest Public Housing Development
By Molly Rosner
In the fall of 2018, a group of LaGuardia Community College students embarked on a year-long project to document the experiences of New York City Housing Authority (NYCHA) residents. This project was funded by the Robert D. L. Gardiner Foundation. These stories were aimed at enriching the LaGuardia and Wagner Archives’ NYCHA collection, which until this project only reflected the agency’s perspective on public housing. The vastness of public housing in New York City necessitated that the students focus on one public housing project and Queensbridge Houses, the nation’s largest public housing development, were selected due to abundant documentation of the development, and its vicinity to the college.
Read MoreInterference Archive is a Brooklyn-based organization that collects and houses materials created as part of social movements. These materials, which include posters, flyers, publications, buttons, and much more, are stored and exhibited in an open stacks archival collection at 314 7th street in Park Slope. In addition to organizing and maintaining the collection, which is open to all, Interference’s volunteers also showcase the archival collections through exhibits and various community events aimed at supporting contemporary activism. This spring, I sat down with two of Interference’s volunteers, Ryan and Nora, to talk about how the space works and the role they see the archive playing in connecting social movements of the past with those of today.
This interview has been edited for clarity and length.
Read MoreToday on the blog, former Executive Director of Picture the Homeless Lynn Lewis speaks with Molly Rosner about her experience conducting oral history interviews as both an organizer and an oral historian. Quotes from interviewees in the project have been interspersed throughout the text.
Read MoreIn November, 2018, the Public Historian published a review that I wrote of the Lower East Side Tenement Museum’s newest tour: Under One Roof. The tour interprets the lives of three families who lived in the tenement at 103 Orchard Street — which was acquired by the museum in 2007 — from the 1940s up until the recent past. Addressing post-World War II immigration and migration to the Lower East Side, the educators leading the tours that I took did an excellent job highlighting how Americans have frequently been reluctant to welcome the world’s “huddled masses,” national myths notwithstanding.
Read MoreIn Capital City: Gentrification and the Real Estate State, Sam Stein offers a theoretical and empirically grounded discussion of how gentrification became a generalized fact of urban life in the 21st century, and how we can not only stop it, but also build cities that work for all, not just the wealthy few. Centering his discussion around the contradictory and often hidden role of professional planners, Stein illustrates how the state has been central to the rise of real estate in urban political economies, leveraging state “police powers” to turn devalued urban land into a profitable commodity — the so called “spatial fix” that capital requires from time to time in moments of crisis. By bringing to life the diverse set of state and non-state actors responsible for turning the places we cherish into products to be bought and sold, Stein also reveals the contingencies and limits of real estate capital’s power over our lives.
Read MoreAround the turn of the 20th century, the shirtwaist, a type of blouse, was the choice of fashionable New York women. Stylish women in shirtwaists embellished by intricate tucks and lace inserts cut an elegant figure on the streets of New York. But the ample cut of the shirtwaist also gave the freedom of movement required by women who toiled in the city’s sweatshops where the shirtwaists were cut, sewn and trimmed. Across lower Manhattan, garment factories sprang up in which row after row of young women sat behind sewing machines. In their pursuit of the American dream, they toiled long hours for low wages, enduring dangerous working conditions. At the turn of the 20th century, there were more than 500 blouse factories in New York City, employing upwards of 40,000 workers.[1]
Read MoreToday on Gotham, Minju Bae interviews Diane Wong, co-curator of Homeward Bound: Global Intimacies in Converging Chinatowns, a recently-concluded exhibition at Pearl River Mart. Homeward Bound displayed photographs from thirteen Chinatowns around the world. These photographs came from the curators’ personal projects to learn from the people who have built homes, families, and communities in a global diaspora. The exhibit will travel to a number of other locations starting in the spring of next year.
Read MoreWins by left-leaning candidates in 2018 midterm elections have led many to suggest a progressive revolution is under way in Democratic — if not American — politics. With each successive victory progressive candidates have staked out bold positions on hot-button issues from Medicare-for-all to a $15 federal minimum wage and free college education.
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