Stirrings: How Activist New Yorkers Ignited a Movement for Food Justice
Reviewed by Nevin Cohen
It is impossible to read Stirrings: How Activist New Yorkers Ignited a Movement for Food Justice in the midst of the 2020 Democratic primaries without drawing comparisons between the tensions faced by the food justice pioneers profiled in Lana Dee Povitz’s history and the very different visions of social change articulated by the two candidates. Bernie Sanders’s case for the radical transformation of an unequal and unjust economic and political system seems diametrically opposed to Joe Biden’s more conservative approach, emphasizing incremental change within existing institutions. Their ideologies seem irreconcilable. But as the organizations profiled in Lana Dee Povitz’s compelling history of food activism illustrate, on the ground social change is more nuanced and complex than the Sanders/Biden schism suggests.
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Interview with Ansley Erikson, co-editor of Educating Harlem: A Century of Schooling and Resistance in a Black Community
Interviewed by Dominique Jean-Louis
This week on Gotham we hear from the Harlem Education History Project (HEHP), a multi-platform program at Columbia University that includes a digital collection, exhibits, and the recently published Educating Harlem: A Century of Schooling and Resistance in a Black Community, as well as many other resources for teaching the history of education. Today, Dominique Jean-Louis interviews the Project’s co-director, Ansley T. Erickson, co-editor of the book.
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How Prohibition Killed the Bowery
By Alice Sparberg Alexiou
Back in the days when the Bowery epitomized New York at its grittiest, most honkey-tonk, warm-hearted best—between the end of the Civil War and World War I—nothing was more important to the well being of the street’s motley population of artists, actors, immigrant poor, and bums than the saloon. Yes, the saloon. It was a Bowery institution. During the Bowery’s peak years, the 1890s, the street boasted nearly 100 saloons, each with its own clientele and reasons for existing. In the days of Tammany, specific saloons functioned as political clubhouses; there were “concert saloons,” where the races mingled and drank and sang and had a grand old time, singing and dancing to songs with dirty lyrics banged out on rinky-dink pianos, and waitresses doubled as prostitutes. In some saloons, homesick German and Irish immigrants found compatriots with whom to drink away their pain. And other saloons were like drunken old grandmothers who gathered all those Bowery bums into their beery bosoms and comforted them, providing shelter and the chance to convene with other bummy alcoholics, all of whom had run away to the Bowery from all over the country and the world with a specific purpose: to drink among others who were just like them.
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The Rise and Fall of The Young Lords
Johanna Fernandez, interviewed by Beth Harpaz
One of the most influential groups of the radical ’60s was the Young Lords, an organization of poor and working class Puerto Ricans that began as a street gang and rose to confront the racism of institutions from government to religion. Johanna Fernandez, a professor of history at Baruch College, traces their roots and tells the story of their rise and fall in The Young Lords: A Radical History.
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The Decorated Tenement: How Immigrant Builders and Architects Transformed the Slum in the Gilded Age
Reviewed by Paul Ranogajec
Violette’s important book opens a new chapter on urban housing in architectural history and helps the reader understand a whole set of buildings—indeed, whole swathes of the cityscapes of both New York and Boston—that are prominently visible but often overlooked. Amplifying elite architects’ and reformers’ disdain for so-called tenement “skin-builders,” architectural historians have studied in detail bourgeois design but have paid much less attention to buildings built by and for the working class. The Decorated Tenement helps to correct the historical record, treating the immigrant-built tenement commensurate with its prominence in the two cities. It is a timely book for that, even if the author does not explicitly make the connection to today’s immigration debates.
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The Medium and the Message: Sara Blair's How the Other Half Looks
Reviewed by Aaron Shkuda
Visitors to Seward Park on Manhattan’s Lower East Side from July 2018 through July 2019 can view “Mom-and-Pops of the L.E.S.,” a project by the photographers James and Karla Murray. The installation is a trompe l'oeil storefront, a cube containing four large-format prints of the couple’s photographs of the vanishing businesses of the Lower East Side. These include a delicatessen modeled on the façade of the still-extant Katz’s, but meant to stand in for any of the shuttered Jewish delis across the city. This project, with its mix of Lower East Side iconography, nostalgia for a lost immigrant New York, and the complicated, multiply-mediated encounters it inspires, is an appropriate companion to Sara Blair’s powerful and compelling new book, How the Other Half Looks: The Lower East Side and the Afterlives of Images.
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Anne Fleming's City of Debtors: A Century of Fringe Finance
Reviewed by Erin Cully
The commercial streets in Flatbush are dotted with storefronts advertising rent-to-own furniture sets and appliances. Pawnbrokers and payday lenders call out to passersby, promising “dollars now” in exchange for gold or a paycheck. Many Americans are accustomed to buying consumer goods by swiping a credit card, but for low-income families in New York and elsewhere, access to credit is limited. Small-sum lenders, pawnbrokers, and furniture stores offering installment plans are often the only recourse for households whose economic circumstances threaten to deny them access to the consumption habits that have defined American freedom for most of the twentieth century. These forms of credit have a high price tag, and goods purchased can end up costing several times more than if bought in cash. Families denied access to conventional forms of credit know all too well how “extremely expensive it is to be poor,” as James Baldwin put it.
Interpreting Irish Immigration: An Interview with Jackie Dinas
Today on Gotham,editor Katie Uva interviews Jackie Dinas, a docent at the Merchant's House Museum, about the process of researching Irish immigration and interpreting the lives of Irish servants in New York.
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