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Posts in Progressive Era
New York Recentered: Building the Metropolis from the Shore

New York Recentered: Building the Metropolis from the Shore

By Kara Murphy Schlichting

In 1865 New York City park commissioner Andrew Haswell Green came to the conclusion that the city had outgrown Manhattan Island. In a report for the Board of Commissioners of Central Park, Green argued that the city’s future should include its mainland environs of Westchester County north of the Harlem River. He articulated a river-spanning future for New York. Green reasoned that lower Westchester was “so intimately connected with and dependent upon the City of New York, that unity of plan for improvements on both sides” of the Harlem was “essential.”

Reprinted with permission from New York Recentered: Building the Metropolis from the Shore, by Kara Murphy Schlichting, published by the University of Chicago Press. © 2019 by the University of Chicago Press. All rights reserved.

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How Do We Mourn Publicly? Memorialization and the Triangle Shirtwaist Factory Fire

How Do We Mourn Publicly?: Memorialization and the Triangle Shirtwaist Factory Fire

By Kim Dramer

Around the turn of the 20th century, the shirtwaist, a type of blouse, was the choice of fashionable New York women. Stylish women in shirtwaists embellished by intricate tucks and lace inserts cut an elegant figure on the streets of New York. But the ample cut of the shirtwaist also gave the freedom of movement required by women who toiled in the city’s sweatshops where the shirtwaists were cut, sewn and trimmed. Across lower Manhattan, garment factories sprang up in which row after row of young women sat behind sewing machines. In their pursuit of the American dream, they toiled long hours for low wages, enduring dangerous working conditions. At the turn of the 20th century, there were more than 500 blouse factories in New York City, employing upwards of 40,000 workers.[1]

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Ephemeral Reminders of the Good Government Movement

Ephemeral Reminders of the Good Government Movement

By Sandra Roff and Sarah Rappo

For an archivist, opening a box from an unexpected archival collection can reveal strange and often wonderful items that can shed light on persons, places or events. Much of what is found between the pages of reports, tucked into scrapbooks, or loosely scattered in cartons can prove to be unexpected treasures for researchers. Under the umbrella term ephemera, the value of these archival finds has been chronicled in assorted journal articles and in the publications of the Ephemera Society.

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World War I Preparedness and the Militarization of the NYPD

World War I Preparedness and the Militarization of the NYPD

By Matthew Guariglia

As the rest of the world continues to ruminate on the 100-year anniversary of the armistice that ended World War I, New Yorkers also must grapple with the lasting impact the “Great War” had on their city. In the years leading up to, during, and following the United States’ 1917 entrance into the war, “preparedness” became the watchword that signaled New York’s increasing awareness of its connection to the world and the conflicts happening beyond the harbor. From food rationing to drafting soldiers, preparedness and all it involved included a full-scale reorganization of American society, including the New York City Police Department.

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The Metropolitan Section: City Life, Delivered

The Metropolitan Section: City Life, Delivered

By Julia Guarneri

“I thought I knew every nook and angle of this village, but it seems your staff are ferreting out new and interesting bits every week.” In 1919, subscriber Charles Romm sent this letter to the New York Tribune, praising the paper’s new “In Our Town” section. The Tribune — like the World, the Times, the American, and many of the city’s other daily papers — ​had begun printing a special local section on Sundays. These metropolitan sections, as they were often called, did not print local news, exactly. They were not the places to look for accident reports or the latest in city politics. Instead, metropolitan sections gave readers glimpses of the everyday city. They brought the sights, accents, and clamor of the city into readers’ laps, to be enjoyed from a living room couch or a lunch counter. Newspapers’ metropolitan sections packaged up city life for quick, enjoyable consumption.

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"The New York Curb Market… Which has No Organization Whatever”: The Enclosure of New York’s Last Outdoor Stock Market, 1900-1921

"The New York Curb Market… Which has No Organization Whatever”: The Enclosure of New York’s Last Outdoor Stock Market, 1900-1921

By Ann Daly

Visitors to the New York Curb Market, located on the Broad Street sidewalk, also called “the gorge,” found themselves overwhelmed by the noise and frenzy. Hundreds of men on the street “writhed, leaped, swayed.” In New York’s last outdoor stock market, where orders were communicated by yelling or signaling out a window and anyone with lungs could trade, financial journalist Edwin C. Hill claimed in 1920, “some of those whirling dervishes down the street could borrow a million on their moral credit; for others the jail beckons.”

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The Gateway to the Nation: The New York Custom House

The Gateway to the Nation: The New York Custom House

By Alexander Wood

The reign of Beaux-Arts architecture reshaped the landscape of the city at the turn of the century with grand public buildings that projected a new found sense of national power. The architects who embraced this style emphasized classicism, monumentality, and embellishment in their work, and were skilled at adapting historical precedents for modern building types. Following this mission to create civic symbols, Cass Gilbert conceived the custom house as a gateway to the nation. From its triumphal arched entry, and honorific statuary, to the heraldic imagery on its facade, it was expressly designed to evoke a passageway into a walled city. The allusion to a gate reflected a desire to proclaim the identity of the nation to the world, but it also suggested a point of controlled access through a border. It thus offered a suggestive precedent for the headquarters of the most important district of the federal customs service, which served as the guardian of the nation’s chief port of entry.

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The Medium and the Message: Sara Blair's How the Other Half Looks

The Medium and the Message: Sara Blair's How the Other Half Looks

Reviewed by Aaron Shkuda

Visitors to Seward Park on Manhattan’s Lower East Side from July 2018 through July 2019 can view “Mom-and-Pops of the L.E.S.,” a project by the photographers James and Karla Murray. The installation is a trompe l'oeil storefront, a cube containing four large-format prints of the couple’s photographs of the vanishing businesses of the Lower East Side. These include a delicatessen modeled on the façade of the still-extant Katz’s, but meant to stand in for any of the shuttered Jewish delis across the city. This project, with its mix of Lower East Side iconography, nostalgia for a lost immigrant New York, and the complicated, multiply-mediated encounters it inspires, is an appropriate companion to Sara Blair’s powerful and compelling new book, How the Other Half Looks: The Lower East Side and the Afterlives of Images.

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"People of the City": Children in the City

“People of the City”: Children in the City

By Robert A. Slayton

The Ashcan artists viewed the people of the city from a unique perspective. Unlike the elites, they did not consider these individuals their biological inferiors. Yet they also differed from the reformers, in that they rejected the notion that the people who lived in dense city neighborhoods were inherently subjects of pity. Instead, Henri, Sloan, Myers, and the others painted children and women and men, each from these individuals' own, unique perspective, rather than imposing a worldview on them. By so doing, in their paintings and drawings, they gave working-class individuals agency, showing how these people adapted to the world around them in a myriad of ways, ways that often enabled them to attain a measure of control over some parts of their lives.

Copyright © 2017 SUNY Press. Excerpted from Beauty in the City: The Ashcan School with the author's permission. All rights reserved.

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