Notes on the LaGuardia Community College Amazon Teach-In

By Molly Rosner

On November 13, 2018, Amazon announced that Long Island City would become the site for its new headquarters “HQ2” along with a site in Crystal City, Virginia. Since then, New Yorkers have greeted this announcement with both applause and outrage. Throughout the year, Amazon has received bids from cities and towns across the country trying to entice the trillion-dollar company to their area. But after the gimmicks and tax incentives have all been weighed, it feels clear that New York was always high on the list of places the company was considering.

Built Environment, Urban Planning, Business & Labor, Contemporary Era, Education, Politics, QueensGuest UserDecember 20, 2018Comment

“The Work Is Never Done:” Judson Dance Theater Transforms MoMA

By Joanna Steinberg

In 1968, Village Voice critic Jill Johnston proclaimed that between 1962 and 1964 a “revolution” had occurred at Judson Memorial Church. With its exhibition Judson Dance Theater: The Work is Never Done, MoMA brings visitors into this seminal moment when a collective of choreographers and downtown artists across disciplines came together to create and show new works in non-commercial spaces, works that transformed the definitions of art and how we experience it. MoMA pushes the boundaries and conventions of the museum space as well, beginning the exhibition in the Atrium, where a video installation and a series of live performances take place daily, showing the work of preeminent choreographers from Judson Dance Theater: Yvonne Rainer, Deborah Hay, David Gordon, Lucinda Childs, Steve Paxton, and Tricia Brown. As the subtitle suggests, “the work is never done.” The performances embody the idea that experimentation is ongoing, as is the interpretation by both artists and audiences who come together in the present moment.

Arts & Culture, Postwar New York, ReviewsGuest UserDecember 18, 2018Comment

Myth #9: A System of Block and Lot Divisions

By Gergely Baics and Leah Meisterlin

The New York City grid is often understood as a foundational system of land subdivision and cadastral allotment. Accordingly, the grid divides Manhattan into a highly regularized system of rectangular shaped blocks, subdivided into lots, making standard (and stackable) units of real estate available for urban development. The grid accomplishes the city’s apportionment through its collection of more frequently spaced and narrower east-west cross-streets and less frequently spaced and wider north-south avenues — each serving as partition and demarcation between the blocks with their nested lots. Indeed, conceptualizing the grid as a system of subdivided blocks highlights its underlying cadastral logic. Previous posts (#4 and #6) have addressed two myths following from this line of reasoning, specifically the extent to which block sizes determined lot sizes, and how the relentless regularity of blocks and lots contributed to rampant real estate speculation.

Built Environment, Urban Planning, Early Republic, ManhattanGuest UserDecember 15, 2018Comment

New York City Has the Country’s Most Elaborate Zoning Code. Why Isn’t It Protecting Us From Luxury Overgrowth?

By Samuel Stein

Construction is booming in New York City, and, as the real-time construction map recently released by the New York City Department of Buildings shows, a lot of the new development is wildly out of context with the surrounding neighborhoods. While scale is not sacred, many of these buildings pose quite specific problems for their neighbors, as in the case of a proposed string of towers on Franklin Avenue that would cast looming shadows over the Brooklyn Botanical Gardens. A luxury development whose size and shape would make a public garden obsolete is exactly the kind of development that city planners should be working overtime to prevent.

Built Environment, Contemporary Era, Urban PlanningGuest UserDecember 13, 2018Comment

New York and the United Nations: An Interview with Pamela Hanlon

Today on the blog, Gotham Center assistant Theoren Hyland speaks with Pamela Hanlon, author of A Worldly Affair: New York, the United Nations, and the Story Behind Their Unlikely Bond.

Interviews, Manhattan, Politics, Postwar New YorkGuest UserDecember 11, 2018Comment

Ninth Street Women

Reviewed by Marjorie Heins

Mary Gabriel's group biography of five leading women artists in the Abstract Expressionist movement — Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler — weighs in at 722 pages (892 if you count endnotes and bibliography), yet leaves the reader (or at least, this reader) hungry for what is left out. Gabriel spends almost as much time recycling well-known stories about the men these five "Ab Ex" stars married, bedded, or hung out with, as it does on the women themselves. In the process, it pays scant attention to dozens of other female artists of the time.

Arts & Culture, Gender & Sexuality, Postwar New York, ReviewsGuest UserDecember 6, 2018Comment

Mrs. Maisel is Indeed Marvelous — Mostly

By Stephen R. Duncan

Arts & Culture, Manhattan, Postwar New York, ReviewsGuest UserDecember 4, 2018Comment

Cutting Up the City in Crisis: Gordon Matta-Clark and the Urban Commons

By Jeffrey Patrick Colgan and Jeffrey Escoffier

The traditional narrative of twentieth century urban living has often concerned itself only with the antipodal philosophies and practices of urban planner Robert Moses and critic Jane Jacobs. This binary conception of American urban life contrasted Moses’ radical projects that aimed to remake New York to suit the automobile with Jacobs’ admonishments that quality of life required small, organic neighborhoods of diverse inhabitants and independent businesses. These philosophies, however, were both time and space-specific. Moses’ vision of the ideal city was prompted by the ascent of the automobile and the crumbling infrastructure of immigrant, tenement neighborhoods; he acknowledged a fundamental change in the modes of production and consumption and sought to drastically reorient urban life accordingly. Jacobs’ ideal, alternatively, reacted against the raze and rebuild, top-down approach of Moses. Yet she depended upon historical continuity and assumed an element of permanence in the neighborhoods she studied and strove to protect.

Arts & Culture, Built Environment, Urban Planning, Urban Decline & Fiscal CrisisGuest UserNovember 29, 2018Comment

New York: Art and Culture Capital of the Gilded Age

Today on Gotham, coordinating editor Katie Uva speaks to Margaret R. Laster and Chelsea Bruner, editors of New York: Art and Culture Capital of the Gilded Age.

Arts & Culture, Gilded Age, Interviews, ManhattanGuest UserNovember 27, 2018Comment

Cut-Throat: The Murder of William Lurye

By Andy Battle

On an average day at midcentury, New York City’s Garment District was a chaotic welter of sewing, schlepping, and schmoozing. But on May 12, 1949, the streets went silent for William Lurye, an organizer for the International Ladies Garment Workers Union (ILGWU), the 400,000-strong body representing workers in the women’s clothing trade. Three days earlier, Lurye had been shoved into in a telephone booth in the lobby of a building on West Thirty-Fifth Street that housed dozens of loft-style garment factories. There, two assailants had stabbed the thirty-seven year-old father of four in the neck with an icepick.

Business & Labor, Crime & Policing, Manhattan, Postwar New YorkGuest UserNovember 20, 2018Comment