Today on the blog, Coordinator Katie Uva speaks to Pilar Jefferson, Education Coordinator at the Museum of the City of New York, to discuss the museum’s recent efforts in interpreting New York’s indigenous history.
Read MoreKitty Genovese, Diane di Prima, and Virginia Apuzzo are iconic Italian American New Yorkers who came of age in the 1950s and challenged familial and social expectations. All three present novel perspectives on women’s oppression and liberation in the 1960s and beyond. Yet rarely are they considered together as examples of ethnic “gender rebels.”
Read MoreNot until 1916 did New York City acquire its comprehensive zoning resolution, the first in the nation. Through the 19th Century, the city’s land-use restrictions comprised a patchwork of fragmented and locally scaled public and private regulatory interventions, including nuisance laws, fire zones, building codes, and deed restrictions in the form of restrictive covenants. Although with this patchwork of caveats, it is fair to describe this early land-use regime as largely unregulated, at least by our contemporary standards.
Read MoreOn November 16, 1966, an unprecedented event took place on the Sheep Meadow in Central Park. Beginning at midnight, thousands of New Yorkers convened on the park’s largest lawn to watch the Leonid meteor showers, which were expected to be particularly brilliant. Although the crowd was let down — dense cloud cover prevented visibility — the gathering nonetheless offered a convivial atmosphere. Spectators brought chairs, blankets, and hot beverages, and the event became an after-dark picnic, with some marveling at the novel scene. One woman observed, “All these people in the park after midnight, and no one is getting mugged.”
Read More“It was the best of times, it was the worst of times.” The famous opening line of Dickens’ Tale of Two Cities certainly seems like an appropriate way sum up 1970s New York, but I cite it also because the novel itself comes up in The Deuce’s first season as a book that launches a young prostitute on the road to reading and going back to school. Objectively life in New York City during the 1970s and early 80s was pretty bad — high crime rates, rampant homelessness, loose trash everywhere, whole neighborhoods of abandoned buildings crumbling and burning — yet it was an incredibly creative time as well: in music, art, performance, theater and sexuality. This was brought home to me recently when a 70-year-old retired professor of history said to me: “I know everything was so terrible in that period, but it was also incredibly exciting.”
Read MoreToday on the blog, editor Kelly Morgan talks to Billy Tooma, writer and producer of the 2017 documentary, The Black Eagle of Harlem. The film examines the life of Hubert Julian, an immigrant aviator living in Harlem during the 1920s.
Read MoreToday on Gotham, Beth Harpaz, editor of CUNY SUM, interviews Elizabeth Macaulay-Lewis about Classical New York: Discovering Greece and Rome in Gotham. The new volume, co-edited with Matthew McGowan, explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome — from the public spaces at Rockefeller Center to the Gould Memorial Library at Bronx Community College.
Listen to their interview here.
Read MoreIn August 1919, following months of stalled negotiations, the New York City section of Actors’ Equity Association (Equity) called a strike against The Producing Managers Association, a trade group composed of theater owners and producers including the Shubert, Ziegfield, and Belasco theater owners. Equity’s demands were modest. The strike called for a standardized eight-show work week with additional compensation for extra matinee performances and higher wages for chorus performers. The Producing Managers Association responded by refusing to recognize Equity, filing injunctions against individual actors, and occasionally attempting to open negotiations with the actors’ union on a theater-by-theater basis.
Read More
