“Our Brooklyn Correspondent”: William J. Wilson Writes the City
By Britt Rusert
William J. Wilson may very well have been New York’s first Black culture critic. A self-stylized flâneur, cultural aesthete, and frequent contributor to Black periodicals throughout the 1840s and 50s, he wrote under the name “Ethiop” and as “Brooklyn Correspondent” for Frederick Douglass’ Paper. In these columns, he provided readers across the nation with on-the-ground reports of New York’s people, places, and happenings based on his frequent “ramblings” around the city. Wilson was particularly interested in the sights and sounds of Broadway as it emerged as a hub of culture, entertainment, and conspicuous consumption in the middle of the century. Wilson would make his own contribution to the city’s cultural scene in 1859 with his publication of the Afric-American Picture Gallery, an experimental text that imagines the first museum of Black Art in the United States
Skyscraper Settlement: An Interview with Joyce Milambling
Joyce Milambling, interviewed by David Huyssen
[…] Christodora House has an amazing history, too much of which has become obscured by time and influenced by what the building has come to represent to many people. The building at 143 Avenue B deteriorated in the 1960s and 70s after the City abandoned it, making it a symbol of urban blight. Later, its 1986 conversion to condominiums associated it with conflicts over gentrification in the East Village. It took center stage in those conflicts when protesters from Tompkins Square Park broke into and vandalized the building in 1988. Although its architectural and historic value have since earned it spots on both the National Register and the State Register of Historic Places, its settlement-era history remains under-appreciated. The settlement house movement, despite its flaws, confronted social problems head-on and provided entire communities with both urgent social services and opportunities for growth and development. Christodora is an important part of that story.
Basketball was especially popular in New York City and by the turn of the century, nearly every public school were sponsoring teams. The Public Schools Athletic League (PSAL), founded in 1903, was initially a private organization whose primary function was to supervise physical education and interscholastic athletics in all New York City public schools. With about fifteen high schools throughout the city, the PSAL sponsored its first formal basketball tournament in 1905. In that inaugural championship game on March 4, 1905, DeWitt Clinton defeated Boys High in Brooklyn to lay claim to the first ever PSAL tournament champion. In other words, Clinton was crowned the first king of basketball.
Born in New York City in 1815, she [Emma Stebbins] was one of the most famous and applauded American sculptors in 1863 when she got the commission for the fountain, the first woman to be commissioned for a public artwork in New York City. But after the inauguration she retired from artistic activity and was soon forgotten. When Emma died in 1882, the New York Times did not dedicate an obituary to her, or even a news item. Only in 2019 it published an article on her for its “Overlooked” series: a posthumous tribute, atoning for the newspaper’s silence on such a remarkable artist.
Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City
Review By Douglas Flowe
This work is not only timely but reflective of growing scholarship on law enforcement that places New York City front and center; rightfully so considering how influential Gotham is in terms of law enforcement and penology. With resources like the La Guardia papers, court record books, oral histories, and NAACP papers from the Library of Congress, Brooks has crafted a major contribution to the history of the often overlooked mid-twentieth century development of America’s criminal justice system; a story that will be relevant to all students of law, urban history, criminality, and twentieth-century politics.
