The Doctors Blackwell: An Interview with Janice Nimura
Interviewed by Katie Uva
Today on the blog, Gotham editor Katie Uva speaks to Janice Nimura, author of The Doctors Blackwell: How Two Pioneering Sisters Brought Medicine to Women and Women to Medicine. The book is a joint biography of Elizabeth Blackwell, the first woman to earn a medical degree in the United States, and her sister Emily Blackwell, the third woman to do so. The book examines the Blackwells’ struggle to obtain training and credentials in the increasingly professionalized field of medicine in the 19th century, and also provides insights into 19th century New York as a place of opportunity and obstacles for these groundbreaking women.
Read MoreDispatches from “Anthropoid Ellis Island”: New York City’s More-Than-Human History
By Barrie Blatchford
New York City’s status as entrepot for millions of new Americans is one of the most well-known aspects of American history. But much less understood is that the city has long been the epicenter of the American (nonhuman) animal trade, a shadowy and little-studied subject that was nevertheless of enormous importance and pecuniary value.[1] Indeed, as New York City welcomed millions of new human immigrants in the decades after the Civil War, the increased mobility of the era also facilitated a rapidly expanding trade in animals. The creatures swept up in this trade were destined for often-dismal fates in zoos, circuses, travelling road shows, medical research laboratories, and as exotic pets — provided they survived the arduous trip to America in the first place.
Read MoreThe Neighborhood Manhattan Forgot: Audubon Park and the Families Who Shaped It
Matthew Spady Interviewed by Robert W. Snyder
In northern Manhattan in 1841, the naturalist John James Audubon bought 14 acres of farmland on the banks of the Hudson River and built his family a home far from the crowded downtown streets. Audubon’s country homestead is long gone, but his story launches Matthew Spady’s The Neighborhood Manhattan Forgot: Audubon Park and the Families Who Shaped It.
Read MoreNew York and the Death of the Atlantic Slave Trade
Reviewed by Samantha Payne
John Harris’s The Last Slave Ships: New York City and the End of the Middle Passage reveals how and why the long survival of the slave trade in the United States was related to the politics of slavery across the Atlantic World. During the first half of the 19th century, more than seventy-five percent of enslaved Africans transported to the New World arrived in Brazil. In 1850, Brazil abolished the slave trade — an act which, Harris argues, transformed the inner workings of the illegal traffic in the United States.
Read MoreIn Pursuit of Knowledge: An Interview with Kabria Baumgartner
Interviewed by Katie Uva
Today on the blog, editor Katie Uva speaks to Kabria Baumgartner, author of In Pursuit of Knowledge: Black Women and Educational Activism in Antebellum America. In her book, Baumgartner explores the origins of the fight for school desegregation in the 19th century Northeast by focusing on the stories of African American girls and women.
Read MoreThe Regional Nationalism of New York’s Literary World
By Alex Zweber Leslie
In the 1840s literary New York was electric. The city was booming, and its material success fueled a surge in cultural aspirations. A new generation of authors, including Herman Melville, joined an influx of emigres such as Edgar Allan Poe and Caroline Kirkland, while old standbys like Washington Irving became firmly canonical. An explosion of new magazines devoted to arts and politics meant that there were ever more writing in print and editorial sides to take. Boston may have still been the nation’s cultural capital, but New York was experiencing a renaissance that shifted the regional balance of cultural authority. It was a world of tightly-knit cliques, petty rivalries, inside gossip, playful pseudonymity, waggish jokes, and, most of all, youthful hopes for the future of literature in America.
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NYC Parks as Historical Battlegrounds between Black Equality and White Supremacy
By Marika Plater
When Amy Cooper threatened Chris Cooper’s life by calling the police with the wildly fabricated claim, “There is a man, African American…threatening me” in Central Park, she joined a long history of white New Yorkers who have made public parks unsafe for black people. Looking back to the early 19th century lays bare the connection between this tense moment in the Ramble and the question of who constitutes “the public” entitled to use public spaces. Between the 1820s and 1860s, the city’s parks were battlegrounds — sometimes literally — between black New Yorkers who asserted their equal right to relax, play, and protest there and whites who fought to keep these public spaces for themselves.
Read MoreHorace Greeley: Print, Politics, and the Failure of American Nationhood
Reviewed by John Bugg
How many New Yorkers could identify the large, weathered bronze statue of a journalist with a newspaper open across his lap that sits in City Hall Park, just off Chambers Street? Probably no more or less than could identify the equally imposing bronze statue of the same journalist, nestled in the park that bears his name on 32nd Street and Broadway, clutching a rolled newspaper at his side. The fact that Horace Greeley is honored by two large memorials in New York City testifies to his massive importance to the city’s history. That Greeley is hardly a household name in 2020, meanwhile, reveals that unlike other major figures in the history of New York, and unlike other prominent agents in the abolition movement, Greeley’s fame has receded sharply in the modern era. Receded, but not vanished: Greeley continues to appear in scholarly accounts of the importance of the press during the Civil War, and every few years he is the focus of a book-length study. He even made a cameo, trademark unkempt white hair and all, in Martin Scorsese’s 2002 Gangs of New York (based on Herbert Asbury’s 1928 book of the same name). Scorsese shows Greeley both walking through the notoriously violent “Five Points” and lounging in an opulent billiards room: though brief, these scenes together show Greeley’s presence in New York City as a kind of bridge between very different loci of power.
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Everybody’s Doin’it: Sex, Music and Dance in New York, 1840-1917
Reviewed by Jeffrey Escoffier
Dirty Dancing, the 1987 movie starring Patrick Swayze and Jennifer Grey, exploited a common cultural trope: the intimate connection many people feel between dancing and sex. It portrayed a couple whose dancing was explicitly sexual, who came from different social classes and who at the same time were falling in love. For many of its viewers, it presented a very romantic vision of the connection between sex and dancing. Dale Cockrell’s Everybody’s Doin’it: Sex, Music and Dance in New York, 1840-1917 (New York: W.W. Norton & Co. 2019) sets out to explore a more historical account of the interrelationship between popular music, social dancing and sexuality in nineteenth- and early twentieth-century America. As he shows, the making of popular music during the nineteenth-century often took place in bars, brothels and dance halls where prostitution was endemic. Social dancing was one of the ways that sex and music are linked.
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