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Posts in Urban Planning
New York City Has the Country’s Most Elaborate Zoning Code. Why Isn’t It Protecting Us From Luxury Overgrowth?

New York City Has the Country’s Most Elaborate Zoning Code. Why Isn’t It Protecting Us From Luxury Overgrowth?

By Samuel Stein

Construction is booming in New York City, and, as the real-time construction map recently released by the New York City Department of Buildings shows, a lot of the new development is wildly out of context with the surrounding neighborhoods. While scale is not sacred, many of these buildings pose quite specific problems for their neighbors, as in the case of a proposed string of towers on Franklin Avenue that would cast looming shadows over the Brooklyn Botanical Gardens. A luxury development whose size and shape would make a public garden obsolete is exactly the kind of development that city planners should be working overtime to prevent.

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Cutting Up the City in Crisis: Gordon Matta-Clark and the Urban Commons

Cutting Up the City in Crisis: Gordon Matta-Clark and the Urban Commons

By Jeffrey Patrick Colgan and Jeffrey Escoffier

The traditional narrative of twentieth century urban living has often concerned itself only with the antipodal philosophies and practices of urban planner Robert Moses and critic Jane Jacobs. This binary conception of American urban life contrasted Moses’ radical projects that aimed to remake New York to suit the automobile with Jacobs’ admonishments that quality of life required small, organic neighborhoods of diverse inhabitants and independent businesses. These philosophies, however, were both time and space-specific. Moses’ vision of the ideal city was prompted by the ascent of the automobile and the crumbling infrastructure of immigrant, tenement neighborhoods; he acknowledged a fundamental change in the modes of production and consumption and sought to drastically reorient urban life accordingly. Jacobs’ ideal, alternatively, reacted against the raze and rebuild, top-down approach of Moses. Yet she depended upon historical continuity and assumed an element of permanence in the neighborhoods she studied and strove to protect.

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The History of the Future: Contextualizing the Exhibition of the Fourth Regional Plan for the New York Metropolitan Region

The History of the Future: Contextualizing the Exhibition of the Fourth Regional Plan for the New York Metropolitan Region

By Kristian Taketomo

A basement in Greenwich Village may hold a sneak peek of what’s to come in the New York Metropolitan region. Until November 3rd, the ground floor at the Center for Architecture houses a free exhibition of the Regional Plan Association’s latest long-range strategic vision for the New York-New Jersey-Connecticut region, the Fourth Regional Plan.

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“Town Meetings by Television:" Regional Plan Association’s “CHOICES for ’76”

“Town Meetings by Television:" Regional Plan Association’s “CHOICES for ’76”

By Kristian Taketomo

Between Saturday, March 17 and Monday, March 19, 1973, every major television station in the New York urban region — ​from Hartford, Connecticut to Trenton, New Jersey — broadcast a one-hour, documentary-style program on housing in the tri-state region of New York, New Jersey, and Connecticut. “Housing — A Place to Live,” which aired at different times on eighteen channels, was the first of six “television town meetings” produced by Regional Plan Association, metropolitan New York’s private, citizen-led planning agency. Four other programs on transportation, the environment, poverty and urban growth followed the first, airing every other week. The sixth episode, on government, was slated for autumn.

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Erica Wagner's Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge

Erica Wagner's Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge

Reviewed by Richard Howe

The name Roebling is so closely bound up with the Brooklyn Bridge that it’s probably worth saying at the outset of this review that Erica Wagner’s Chief Engineer: Washington Roebling: The Man Who Built the Brooklyn Bridge(Bloomsbury, 2017) really is a biography of the man and not — as might be said of David McCullough’s classic The Great Bridge (Simon & Schuster, 1972) — a biography of the bridge. The eldest son of the bridge’s designer and promoter, John A. Roebling, Washington Roebling was born on May 26, 1837, in Saxonburg, Pennsylvania, and died shortly past his eighty-ninth birthday, on July 21, 1926, in Trenton, New Jersey. He served as chief engineer for the construction of what was then known as the East River Bridge for nearly fourteen years, from shortly after his father’s death on July 22, 1869, until he resigned the position not long after the bridge was opened to the public on May 24, 1883 (his assistant C. C. Martin was appointed in his place on July 9, 1883). Washington Roebling was thirty-two when he was appointed chief engineer for the Brooklyn Bridge; he lived another forty-three years after leaving that post. Though it was his position with the bridge project that secured him a place in the history of New York, seventy-five of his eighty-nine years were not spent on the great bridge, and it is perhaps the greatest merit of Erica Wagner’s book that it would be a fascinating and moving read even if its subject had never been chief engineer of the Brooklyn Bridge. I would almost go so far as to say that it might have been an even more fascinating and moving read had he not been.

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The Gould Memorial Library: A Forgotten Stanford White Gem in the Bronx

The Gould Memorial Library: A Forgotten Stanford White Gem in the Bronx

By Elizabeth Macaulay-Lewis

The Gould Memorial Library in the Bronx may be the most famous building in New York City that you’ve never heard of. It recently made an appearance in The Greatest Showman, the 2018 Hugh Jackman musical about the life of P. T. Barnum, as the setting for a glorious party, but unless you know what you’re looking at, you’d think it was an elaborate Hollywood stage set—not a library.

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The Gateway to the Nation: The New York Custom House

The Gateway to the Nation: The New York Custom House

By Alexander Wood

The reign of Beaux-Arts architecture reshaped the landscape of the city at the turn of the century with grand public buildings that projected a new found sense of national power. The architects who embraced this style emphasized classicism, monumentality, and embellishment in their work, and were skilled at adapting historical precedents for modern building types. Following this mission to create civic symbols, Cass Gilbert conceived the custom house as a gateway to the nation. From its triumphal arched entry, and honorific statuary, to the heraldic imagery on its facade, it was expressly designed to evoke a passageway into a walled city. The allusion to a gate reflected a desire to proclaim the identity of the nation to the world, but it also suggested a point of controlled access through a border. It thus offered a suggestive precedent for the headquarters of the most important district of the federal customs service, which served as the guardian of the nation’s chief port of entry.

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The Earliest Sculptures in Central Park

The Earliest Sculptures in Central Park

By Dianne Durante

In Olmsted and Vaux’s Greensward Plan, the only sculpture was one atop the fountain at the center of Bethesda Terrace. The commission for the sculpture was given in 1863 to Emma Stebbins (1815-1882), an American-born sculptor working in Rome who happened to be the sister of a member of the Board of Commissioners of Central Park.

This post is an excerpt from the author's new book, Central Park: The Early Years.

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