Remembrance of Things Not Yet Past: A Report from “Difficult Histories / Public Spaces: The Challenge of Monuments in NYC and the Nation”

By Arinn Amer

A year after white nationalists descended on Charlottesville, Virginia in a deadly riot they framed as a protest against the planned removal of a bronze rendering of Robert E. Lee from Emancipation Park, monuments loom large in our national consciousness. With new memorials and markers raising awareness of America’ dark history of racial terror and hundreds of Confederate flags and generals retreating from public view even as thousands more remain firmly entrenched, the incredible power of the stories we tell about the past in shared physical space has never been more apparent.

Arts & Culture, Contemporary Era, Gender & Sexuality, Politics, Race & EthnicityGuest UserSeptember 18, 2018Comment

Erica Wagner's Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge

Reviewed by Richard Howe

The name Roebling is so closely bound up with the Brooklyn Bridge that it’s probably worth saying at the outset of this review that Erica Wagner’s Chief Engineer: Washington Roebling: The Man Who Built the Brooklyn Bridge(Bloomsbury, 2017) really is a biography of the man and not — as might be said of David McCullough’s classic The Great Bridge (Simon & Schuster, 1972) — a biography of the bridge. The eldest son of the bridge’s designer and promoter, John A. Roebling, Washington Roebling was born on May 26, 1837, in Saxonburg, Pennsylvania, and died shortly past his eighty-ninth birthday, on July 21, 1926, in Trenton, New Jersey. He served as chief engineer for the construction of what was then known as the East River Bridge for nearly fourteen years, from shortly after his father’s death on July 22, 1869, until he resigned the position not long after the bridge was opened to the public on May 24, 1883 (his assistant C. C. Martin was appointed in his place on July 9, 1883). Washington Roebling was thirty-two when he was appointed chief engineer for the Brooklyn Bridge; he lived another forty-three years after leaving that post. Though it was his position with the bridge project that secured him a place in the history of New York, seventy-five of his eighty-nine years were not spent on the great bridge, and it is perhaps the greatest merit of Erica Wagner’s book that it would be a fascinating and moving read even if its subject had never been chief engineer of the Brooklyn Bridge. I would almost go so far as to say that it might have been an even more fascinating and moving read had he not been.

Brooklyn, Built Environment, Urban Planning, Reviews, Gilded AgeGuest UserSeptember 13, 2018Comment

The Gould Memorial Library: A Forgotten Stanford White Gem in the Bronx

By Elizabeth Macaulay-Lewis

The Gould Memorial Library in the Bronx may be the most famous building in New York City that you’ve never heard of. It recently made an appearance in The Greatest Showman, the 2018 Hugh Jackman musical about the life of P. T. Barnum, as the setting for a glorious party, but unless you know what you’re looking at, you’d think it was an elaborate Hollywood stage set—not a library.

Bronx, Built Environment, Gilded Age, Urban PlanningGuest UserSeptember 11, 2018 Comments

Parable of the Bees: Leslie Day's Honeybee Hotel

Reviewed by Rebecca Dalzell

In 2012, the Waldorf-Astoria built six beehives in a rooftop garden. Twenty stories above Park Avenue, 300,000 bees pollinated flowering apple and cherry trees, and produced jugs of honey. Its flavor depended on the season: in the spring, it was light and minty; come fall, it darkened as bees foraged on aster and goldenrod. This miel de Manhattan made its way into cocktails, bread, and gelato served in the hotel restaurants.

Manhattan, Nature & Environment, ReviewsGuest UserSeptember 6, 2018Comment

The Gateway to the Nation: The New York Custom House

By Alexander Wood

The reign of Beaux-Arts architecture reshaped the landscape of the city at the turn of the century with grand public buildings that projected a new found sense of national power. The architects who embraced this style emphasized classicism, monumentality, and embellishment in their work, and were skilled at adapting historical precedents for modern building types. Following this mission to create civic symbols, Cass Gilbert conceived the custom house as a gateway to the nation. From its triumphal arched entry, and honorific statuary, to the heraldic imagery on its facade, it was expressly designed to evoke a passageway into a walled city. The allusion to a gate reflected a desire to proclaim the identity of the nation to the world, but it also suggested a point of controlled access through a border. It thus offered a suggestive precedent for the headquarters of the most important district of the federal customs service, which served as the guardian of the nation’s chief port of entry.

Built Environment, Manhattan, Progressive Era, Urban PlanningGuest UserSeptember 3, 2018Comment

Schlep in the City: Carroll Gardens From the Creek to the Point

By Benjamin Serby

The leafy Brooklyn neighborhood of Carroll Gardens is nestled between Degraw Street (or Sackett, depending on your source) to the north and Hamilton Avenue to the south, bounded to the east by either Hoyt or Bond Street (again, answers may vary) and Hicks Street to the west. It’s just a small slice of the borough’s “brownstone belt,” but it packs a wallop, as any pizza enthusiast will tell you. With its deep front lawns, stoop-sitters, and tiny pasticcerias, Carroll Gardens is a unique corner of the city, to be sure — but, in many respects, its past and present tell us much about New York City as a whole.

BrooklynGuest UserAugust 29, 2018Schlep in the CityComment

The Medium and the Message: Sara Blair's How the Other Half Looks

Reviewed by Aaron Shkuda

Visitors to Seward Park on Manhattan’s Lower East Side from July 2018 through July 2019 can view “Mom-and-Pops of the L.E.S.,” a project by the photographers James and Karla Murray. The installation is a trompe l'oeil storefront, a cube containing four large-format prints of the couple’s photographs of the vanishing businesses of the Lower East Side. These include a delicatessen modeled on the façade of the still-extant Katz’s, but meant to stand in for any of the shuttered Jewish delis across the city. This project, with its mix of Lower East Side iconography, nostalgia for a lost immigrant New York, and the complicated, multiply-mediated encounters it inspires, is an appropriate companion to Sara Blair’s powerful and compelling new book, How the Other Half Looks: The Lower East Side and the Afterlives of Images.

Politics, Poverty & Inequality, Progressive Era, ReviewsGuest UserAugust 28, 2018Comment

Cracks in the Pre-Invented World: Disaster, Art and the Sublime in New York, 1970 to 1992.

By Jeffrey Patrick Colgan & Jeffrey Escoffier

When artist and writer David Wojnarowicz returned to New York City in 1979 from a lengthy stay with his sister in Paris, he used office equipment to print a large cutout of the face of poet Arthur Rimbaud, a cigarette to burn two narrow eye-holes, and a knife to carve out a gently sloping mouth. Long inspired by the French poet’s life and work, Wojnarowicz sought to impersonate the poet in order to stage his own coming-of-age among the city’s ruins and cultural underground. He used his friends as models and staged scenes that inserted the fragile, pale face of Rimbaud into the dirty confusion of 1970s New York.

Arts & Culture, Gender & Sexuality, Reviews, Urban Decline & Fiscal CrisisGuest UserAugust 22, 2018Comment

Working for the Public: Black Firefighters and the FDNY

Reviewed by Nick Juravich

David Goldberg’s Black Firefighters in the FDNY opens in court, where Judge Nicholas Garaufis of the Eastern District ruled in 2012 that the New York City Fire Department “knowingly and intentionally implemented and maintained racially discriminatory hiring processes throughout its history.” It is this history of segregation, and of resistance to it, that Goldberg chronicles masterfully, from firehouse fistfights to fraternal organizations to federal litigation. Black firefighters faced tremendous obstacles; as Goldberg explains in the introduction, “no group of white workers better exemplifies the prolonged nature of white resistance and recalcitrance to Black equality more than white firefighters and their politically powerful and influential union, the International Association of Firefighters.” Black firefighters responded by building “a tradition of resistance, militancy, and race consciousness” both inside and beyond their profession, which generated “intergenerational activism, civic and community-centered coalition building, and the immersion and intersection of their struggle with local and national Black freedom movements.”

Business & Labor, Reviews, Race & EthnicityGuest UserAugust 21, 2018Comment

"To make America live up to its ideals": Britt Haas on Youth Activism in the 1930s

Today on Gotham, Peter-Christian Aigner speaks with Britt Haas about her new book, Fighting Authoritarianism: American Youth Activism in the 1930s, exploring the lives of young radicals in New York City and their attempts to create a free, democratic society amid the Great Depression.

Interviews, Politics, Great Depression & New DealGuest UserAugust 15, 2018Comment

Gotham

Remembrance of Things Not Yet Past: A Report from “Difficult Histories / Public Spaces: The Challenge of Monuments in NYC and the Nation”

By Arinn Amer

Erica Wagner's Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge

Reviewed by Richard Howe

The Gould Memorial Library: A Forgotten Stanford White Gem in the Bronx

By Elizabeth Macaulay-Lewis

Parable of the Bees: Leslie Day's Honeybee Hotel

Reviewed by ​Rebecca Dalzell

The Gateway to the Nation: The New York Custom House

By Alexander Wood

Schlep in the City: Carroll Gardens From the Creek to the Point

By Benjamin Serby

The Medium and the Message: Sara Blair's How the Other Half Looks

Reviewed by Aaron Shkuda

Cracks in the Pre-Invented World: Disaster, Art and the Sublime in New York, 1970 to 1992.

By Jeffrey Patrick Colgan & Jeffrey Escoffier

Working for the Public: Black Firefighters and the FDNY

Reviewed by Nick Juravich

"To make America live up to its ideals": Britt Haas on Youth Activism in the 1930s

Reviewed by Rebecca Dalzell