From roughly 1850 to 1950, Fulton Market would dominate wholesale fish provisioning in the United States and much of the country’s fish would pass through Fulton…As the market supplied itself from more distant locales, Fulton’s ecological impact widened. … wholesalers had to look further and further away and develop more and more complex means of preserving and moving fish. … the length and complexity of this process served to obscure the ecological impact of food—consumer appetites were, after all, destroying ecosystems a world away.
Bob Dylan first set foot in the Village in 1961, and even as he continues to make music, you can argue that his Greenwich Village years in the 1960s were a formative period in his life and work. Dick Weissman’s new book, Bob Dylan’s New York: A Historic Guide, published by the State University of New York Press, helps fans and students of Dylan walk the streets where his career took off.
“Fellow Citizens Too”: Puerto Ricans and Migration Politics in the New York Amsterdam News, 1954
By Daniel Acosta Elkan
On March 1, 1954, four Puerto Rican nationalists opened fire on the members of the House of Representatives from the gallery of the body’s chamber in Washington DC. This was but the most dramatic event in an important year for the Puerto Rican diaspora, and its effects were felt in profoundly local ways. In East Harlem, the most prominent stateside Boricua community, the FBI conducted a number of raids on bars, restaurants, and other community spaces. The New York Amsterdam News, the city’s leading Black newspaper, reported that “Negroes and Puerto Ricans are reportedly being rounded up, searched, and subjected to other indignities.”
New Ways to Understand Robert Moses: An Interview with Katie Uva and Kara Murphy Schlichting
By Robert W. Snyder
If you teach courses on New York City’s history, or just have a passing interest in its past, you are sure to come across Robert A. Caro’s biography The Power Broker: Robert Moses and the Fall of New York. Published in 1974, it remains influential and informs an exhibit at the New-York Historical Society, echoes into David Hare’s new play Straight Line Crazy, and appears conspicuously in Zoom conversations on the bookshelves of politicians and journalists.
New York City “600” Schools and the Legacy of Segregation in Special Education
By Francine Almash
In 1947 the New York City Board of Education announced the first centralized program for delinquent and maladjusted youth, known as the “600” schools (for their number designation). The “600” schools were the result of coordinated efforts beginning in the 1920s that linked the NYC Board of Education, the Bureau of Educational Measurements, which promoted psychological testing to aid in the education of “emotionally handicapped” children, and the New York City Children’s Courts, which gave judges the authority to act as surrogate parents to a growing number of “at-risk” youth.
“The Avant-Groove”: Excerpt from No Sounds Are Forbidden
By Matthew Friedman
Morton Subotnick arrived in New York in the fall of 1966 already a giant of the burgeoning avant-garde music scene. Together with composer Ramon Sender, a tape recorder, scattered equipment borrowed from a local high school or through a fortuitous connection with the local Ampex representative, and support from Mills College, he had built the San Francisco Tape Music Center into a force in electronic music rivaling the Columbia-Princeton Electronic Music Center (CPEMC), uptown.
New Collections From the CUNY Digital History Archive
By Stephen Brier
The CUNY Digital History Archive (CDHA), created in 2013 by the American Social History Project/Center for Media and Learning at the CUNY Graduate Center, is committed to preserving and presenting on an open publicly accessible website the history of the City University of New York. Over the past eight years, a number of CUNY faculty, staff, graduate students, and alumni have created a series of curated collections of primary historical sources materials on key moments in CUNY’s rich history.
Decline, Rebellion, and Police Politics: Rethinking the Dissolution of New York’s Civil Rights Coalition
Reviewed by Joseph Kaplan
In his final book before his life was taken by an assassin’s bullet, Martin Luther King Jr. reflected on the state of the Civil Rights Movement and the conditional allyship of whites. According to King, whites generally believed “that American society is essentially hospitable to fair play and to steady growth toward a middle-class Utopia embodying racial harmony.” Emerging from a decade of unprecedented mobility in which a highly unionized white labor force entered the middle class en masse, many viewed the Civil Rights Movement as part of the unbroken march of progress.
On a winter day in February 1967, pedestrians gawked as a young African American man walked along Fifth Avenue in New York City: He stood 6 feet, 3 inches tall, aged twenty-five and he was clearly in fighting shape.[1]
“Is that you, Muhammad Ali?’ one woman exclaimed. “You're so handsome."
The Journalism of Style: How New York’s Fashion Editors Set The Stage For Fashion Reporting
By Kimberly Wilmot Voss
New York City’s deep fashion history created the foundation for the American fashion industry, though often missing from that story is the influence of newspaper fashion editors. Within the first few decades of the 20th century, these editors began to forge important shifts on how the fashion industry was reported on and who got to do that very reporting. For example, in the 1930s, when only fashion magazine reporters and store buyers were permitted in fashion shows, Milwaukee Journal fashion editor Aileen Ryan elbowed her way into New York City shows by simply ignoring the rule.
