(Podcast) Discovering Ancient Greece and Rome in the Modern City

Today on Gotham, Beth Harpaz, editor of CUNY SUM, interviews Elizabeth Macaulay-Lewis about Classical New York: Discovering Greece and Rome in Gotham. The new volume, co-edited with Matthew McGowan, explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome — from the public spaces at Rockefeller Center to the Gould Memorial Library at Bronx Community College.

Listen to their interview here.

Podcasts, Interviews, Built Environment, Urban PlanningGuest UserFebruary 5, 2019Comment

One Hundred Years of Equity Strikes and Labor Solidarity

By Caroline Propersi-Grossman

In August 1919, following months of stalled negotiations, the New York City section of Actors’ Equity Association (Equity) called a strike against The Producing Managers Association, a trade group composed of theater owners and producers including the Shubert, Ziegfield, and Belasco theater owners. Equity’s demands were modest. The strike called for a standardized eight-show work week with additional compensation for extra matinee performances and higher wages for chorus performers. The Producing Managers Association responded by refusing to recognize Equity, filing injunctions against individual actors, and occasionally attempting to open negotiations with the actors’ union on a theater-by-theater basis.

Arts & Culture, Business & Labor, Contemporary EraGuest UserJanuary 31, 2019Comment

Ephemeral Reminders of the Good Government Movement

By Sandra Roff and Sarah Rappo

For an archivist, opening a box from an unexpected archival collection can reveal strange and often wonderful items that can shed light on persons, places or events. Much of what is found between the pages of reports, tucked into scrapbooks, or loosely scattered in cartons can prove to be unexpected treasures for researchers. Under the umbrella term ephemera, the value of these archival finds has been chronicled in assorted journal articles and in the publications of the Ephemera Society.

Progressive Era, ManhattanGuest UserJanuary 29, 2019Comment

Art's Great Good Place? Warhol's Silver Factory and Its Legacy

By Jeffrey Patrick Colgan

Andy Warhol is a famous artist. With his platinum blonde wig, cosmetic surgery, and cool gaze resting atop impossibly high cheekbones, his visage alone is known by almost every American. So too his art, with its repetition, immediacy, bold splotches of non-gradated color, and mass-culture subject matter. For many outside of the art world he alone represents 20th Century visual art. Within the art world, and the adjacent fields of art history and the philosophy of art, the biography and artistic output of Warhol—endlessly examined and discussed as it is—primarily repeats the same few narratives.

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Andy Warhol—From A to B and Back Again, Whitney Museum of American Art
November 12th, 2018 - March 31st, 2019

Arts & Culture, Postwar New York, ReviewsGuest UserJanuary 24, 2019Comment

(Podcast) Clarence Taylor's Fight the Power: African Americans and the Long History of Police Brutality in New York City

In his most recent book, Clarence Taylor, dean of the history of the civil rights movement in New York, looks at black resistance to police brutality in the city, and institutional efforts to hold the NYPD accountable, since the late 1930s and '40s.

Listen to this interview here.

Crime & Policing, Interviews, Podcasts, Postwar New York, Race & EthnicityGuest UserJanuary 22, 2019Comment

Walking Harlem: An Interview with Karen Taborn

Today on the blog, Kate Papacosma talks to Karen Taborn about the process of developing her book, Walking Harlem: The Ultimate Guide to the Cultural Capital of Black America.

Arts & Culture, Interviews, Manhattan, Race & EthnicityGuest UserJanuary 17, 2019Comment

John Strausbaugh's Victory City: A History of New York and New Yorkers During World War II

Reviewed by Steven H. Jaffe

In recent years writers and historians have turned their attention to New York City’s experience in World War II. Contributions to the field have included Lorraine B. Diehl’s Over Here! New York City During World War II (2010), Richard Goldstein’s Helluva Town: The Story of New York City During World War II (2010), my own New York at War: Four Centuries of Combat, Fear, and Intrigue in Gotham (2012), and Kenneth T. Jackson’s WWII & NYC(2012), the latter accompanying an exhibition of the same name at the New-York Historical Society. Other scholars have tackled specific aspects of the story, including the crucial military role of the city’s port (over 3 million GIs and 63 million tons of materiel departed from the harbor’s piers to the North African and European fronts), and the volatile political, ethnic, religious, and economic tensions that vexed relations between New York’s Jewish, German, Irish, Italian, and African-American communities before and during the war.

Politics, Reviews, Great Depression & New DealGuest UserJanuary 10, 2019Comment

The Defiant: An Interview with Dawson Barrett

By Nick Juravich

Today, I’m talking to Dawson Barrett about his new book, The Defiant: Protest Movements in Post-Liberal America, out now from New York University Press. The book has been getting some excellent coverage in the academic blogosphere recently; you can read an excerpt from the prologue over at Tropics of Meta, and a thoughtful interview that Dawson did with fellow UW-Milwaukee alum Joe Walzer for Labor Online. These two pieces, read together, are a great introduction to stakes, ideas, and arguments in The Defiant. Rather than recap them here at Gotham, we recommend checking them out.

Contemporary Era, Interviews, PoliticsGuest UserJanuary 8, 2019Comment

Heidi Waleson's Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America

Reviewed by Lily Kass

Heidi Waleson’s Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in Americatakes us behind the scenes at a long-beloved, and recently resurrected, New York cultural institution. The New York City Opera was founded in 1944 when the New York City Council and Mayor Fiorello H. LaGuardia inaugurated the City Center of Music and Drama. As one of the center’s constituent performance ensembles, the opera company’s original mission was to bring opera to the people through affordable ticket prices and popular repertoire. Waleson recounts the company’s struggle to survive through the decades as views changed about the importance of opera, both in New York City and around the country. Readers of the book are made constantly aware that City Opera, even from the start, was only barely cheating death and that its demise was preordained.

Arts & Culture, Contemporary Era, Reviews, Urban Decline & Fiscal CrisisGuest UserJanuary 3, 2019Comment

World War I Preparedness and the Militarization of the NYPD

By Matthew Guariglia

As the rest of the world continues to ruminate on the 100-year anniversary of the armistice that ended World War I, New Yorkers also must grapple with the lasting impact the “Great War” had on their city. In the years leading up to, during, and following the United States’ 1917 entrance into the war, “preparedness” became the watchword that signaled New York’s increasing awareness of its connection to the world and the conflicts happening beyond the harbor. From food rationing to drafting soldiers, preparedness and all it involved included a full-scale reorganization of American society, including the New York City Police Department.

Crime & Policing, Progressive EraGuest UserDecember 27, 2018Comment