Visualizing New York City by the Numbers: An Interview with Kubi Ackerman

Interviewed by Hannah Diamond

Today on Gotham, Hannah Diamond interviews Kubi Ackerman, guest curator of Who We Are: Visualizing NYC by the Numbers, a special exhibition now on view and available online at the Museum of the City of New York. Who We Are examines the role data plays in shaping and reflecting the city around us. The exhibition examines New York City’s own history with the census and features works by contemporary artists and designers that illuminate our urban environment and our own identities.

Interviews, Urban Planning, Arts & CultureGuest UserJune 25, 2020Comment

New York’s Unrighteous Beginnings

By Erin Kramer

In the initial instructions to New Netherland’s director general regarding obtaining land from indigenous peoples, the company leadership wrote: “For trading-goods or by means of some other amicable agreement, induce them to give up ownership and possession to us, without however forcing them thereto in the least or taking possession by craft or fraud, lest we call down the wrath of God upon our unrighteous beginnings, the Company intending in no wise to make war or hostile attacks upon any one.”[1]

When they first ventured into the spaces they would eventually call New Netherland, the Dutch knew that Europe was watching. Because they wanted to set themselves apart from the horrors of bloody conquest and slavery that made up the Black Legend of Spanish colonization, the Dutch were determined to set a better example. Instead of taking land by force, they relied on a legal tradition that acknowledged Native sovereignty over land in the Americas and they deployed capitalism to establish a foothold in North America.

Manhattan, New Amsterdam, Waterfront & IslandsGuest UserJune 23, 2020Comment

"Imagination Aided by the Painter's Brush": William Ranney and the Creation of the Purchase of Manhattan, 1844–1909

By Stephen McErleane

“Twenty-four bucks worth of beads and trinkets. This whole island.” One can easily imagine this remark from any of the more than 1,000,000 parade spectators on Fifth Avenue as they watched the “Purchase of Manhattan Island” float go by in the 1909 Hudson-Fulton Celebration. The fifteenth in a procession of fifty-four historical floats depicting notable events, persons, and places in the history of the Hudson River region, the thriftily constructed display of paper-mâché and painted canvas portrayed the legendary 1626 transaction in which the Dutch allegedly purchased the island for the paltry sum of twenty-four dollars.

Although it is now a fundamental piece of the city’s earliest history, it was not until 217 years after the event that New Yorkers first learned of the transaction. The story surfaced in 1844 and filled a void in a city largely ignorant of its earliest history, a city whose Dutch origins had, as Washington Irving wrote, left it with “an antiquity… extending back into the regions of doubt and fable.” Based on a single sentence in a contemporaneous letter reporting the news of the purchase, the story’s lack of detail and frequent retelling encouraged imaginative leaps. In the decades that followed the letter’s discovery, historians, artists, and others—who could now reach a larger audience due to a media revolution—obliged.

Arts & CultureGuest UserJune 18, 2020Comment

Swept From the Streets: Mario Procaccino and the Rise of Law-and-Order Politics in New York City

By Gabe S. Tennen

Mario Angelo Procaccino strode down Fulton Street, waving to onlookers and shaking hands. Accompanied by his running mate for city council president, Abraham Beame; his teenage daughter, Marierose; and a cabal of campaign staff, the Democratic candidate for mayor seemed at home in the working-class shopping center in Downtown Brooklyn.[1] In 1969, the appearance of Procaccino, then serving as city comptroller, at a blue-collar hub outside of Manhattan was both practical and symbolic. Attempting to assemble a coalition of voters dissatisfied with the liberal bent of incumbent Mayor John V. Lindsay, Procaccino considered outreach to white homeowners in Brooklyn, Queens, the Bronx, and Staten Island his best chance to ascend to City Hall. Beginning his excursion in front of Mays Department Store, a campaign spokesman with a bullhorn declared to passers-by that “John Lindsay probably doesn’t even know where Mays Department Store is!”[2] As he had done throughout his Democratic primary campaign, the pencil-mustached, diminutive Procaccino would allude to that gulf between a Manhattan-reared, Protestant, Yale-educated mayor and a working-class Catholic and Jewish outer-borough constituency during the general election. The issue that most galvanized that effort was one gaining traction across the country: “law-and-order.”

Crime & Policing, Politics, Race & EthnicityGuest UserJune 16, 2020Comment

The Enigma of Rescue: On a Recent History of the New School for Social Research

By Ben Wurgaft

The New School for Social Research holds a story of rescue dear. This is the tale of how its co-founder and first president, the economist Alvin Johnson, climbed a mountain of correspondence and paperwork to save scores of German scholars after Nazism’s rise to power in the early 1930s. Johnson saved lives and scholarly lineages. He also burnished the reputation of the institution he helped build, establishing a University in Exile (renamed the Graduate Faculty) within the New School itself. An academic institution in downtown Manhattan, equally committed to adult education and to using the social sciences to analyze all that is oppressive in social, cultural, and political life, the New School has — at certain moments in its history — embodied a set of egalitarian and progressive values. In 1918, the sociologist Thorstein Veblen published his The Higher Learning in America: A Memorandum on the Conduct of Universities by Business Men, in which he criticized academic institutions for defending the interests of the ruling class. He practically anticipated the 1919 founding of the New School in response to the actions of Nicholas Murray Butler, president of Columbia University, who had fired two faculty members for protesting the U.S.’s entrance into the war in Europe. Many elite academic institutions have flattering stories they tell about themselves. Some value their historical connections to wealth and power. Some value their political histories (“the Free Speech Movement happened here”). Some their famous former professors (“That was Foucault’s favorite sandwich shop”). The New School values its two foundations: on the basis of protest, in 1919, and on the basis of rescue, in 1933. In his memoir Kafka was the Rage, the writer and critic Anatole Broyard captured the way American students at the New School, after WWII, could turn the narrative of rescue into one of personal triumph: “We admired the German professors. We had won the fight against fascism and now, with their help, we would defeat all the dark forces in the culture and the psyche.”

Education, ReviewsGuest UserJune 11, 2020 Comment

How Dinosaurs Came to New York

By Lukas Rieppel

On February 16, 1905, the American Museum of Natural History unveiled an enormous dinosaur skeleton measuring more than sixty-five feet in length: Brontosaurus. This lumbering behemoth was discovered in a remote part of Wyoming several years earlier, and curators had just finished assembling its gargantuan bones into a free-standing display that would serve as the centerpiece of the museum’s recently inaugurated dinosaur hall. Over the next several decades, Brontosaurus became one of the most iconic dinosaurs of all time, and throngs of visitors flocked to the Upper West Side to see its fossil remains with their own eyes.

Arts & Culture, Progressive Era, Gilded Age, Manhattan, ScienceGuest UserJune 9, 2020Comment

NYPD at the Crossroads: Some Background History

By Mark Naison

All over the nation, protesters are demanding that police budgets be cut and that the funds saved be invested in community development projects in working class neighborhoods, particularly those which have high concentrations of Black people. As this movement spreads to NYC, it might be useful to review the history of police expansion and militarization in NYC, its surprising origins and unintended consequences.

Peter-Christian AignerJune 5, 2020Comment

Riot

By Mike Wallace

All day the twelfth of August 1900, the city roasted through a heat wave. Night brought no relief. In Hell’s Kitchen, sleepless residents perched on stoops or fled to local watering holes. Arthur Harris, a 22-year-old, Virginia-born recent migrant, sought refuge at McBride’s Saloon on the corner of Eighth Avenue and 41st Street, just down the block from the apartment in which he lived with his girlfriend, 20-year-old May Enoch. At 2:00 a.m., Enoch came by, asked him to “come on up home,” then waited outside for him to join her. On departing, Harris found her struggling in a man’s grip. He leapt to rescue her. The man produced a club and began battering him, shouting racist epithets. Harris pulled a knife and cut his assailant twice. Robert J. Thorpe, a plainclothes policeman who had been arresting Enoch for presumed soliciting, fell mortally wounded.

Crime & Policing, Excerpts, Race & EthnicityGuest UserJune 4, 2020Comment

Battling Bella: The Protest Politics of Bella Abzug

Reviewed by Dylan Gottlieb

“She is loud. She is good and rude,” wrote Jimmy Breslin, the redoubtable New York newspaperman. Like “a fighter in training,” he continued, Bella Abzug was “pushing, brawling, poking, striding her way toward the Congress of the United States.” In the 1970s, as New York approached its nadir, Abzug emerged onto the political scene as a pugilist for the people: a “tough broad from the Bronx” (to borrow the title of another biography), whose combative style and populist message fit the tough times.

Politics, ReviewsGuest UserJune 2, 2020Comment

Jump Up! Caribbean Carnival Music in New York City

Reviewed by Gage Averill

It is fitting that it was two New Yorkers in the early 1930s, Harold Arlen and Ted Koehler, who composed the showtune “I Love a Parade,” because for all the diversity and excess of its public processions, there is likely no city anywhere that has exceeded New York. The home of the renowned ticker-tape parades, the Macy’s Day Parade, the St Patrick’s Day Parade, NYC Pride the Village Halloween Parade, and numerous ethnic celebrations (modeled on St. Patrick’s), New York City’s streetscapes have conferred both prestige and visibility on those who have been able to muster the necessary funding and authorizations and crowds. It is not without a powerful sense of the current moment, the Covid-19 pandemic, that I’ve taken on the otherwise enviable, and the now more somber, task of reviewing a book about some of the most raucous, colorful, noisy and crowded events in New York: Brooklyn’s Caribbean Carnival celebrations.

Arts & Culture, Brooklyn, Race & Ethnicity, ImmigrationGuest UserMay 28, 2020Comment