Basketball was especially popular in New York City and by the turn of the century, nearly every public school were sponsoring teams. The Public Schools Athletic League (PSAL), founded in 1903, was initially a private organization whose primary function was to supervise physical education and interscholastic athletics in all New York City public schools. With about fifteen high schools throughout the city, the PSAL sponsored its first formal basketball tournament in 1905. In that inaugural championship game on March 4, 1905, DeWitt Clinton defeated Boys High in Brooklyn to lay claim to the first ever PSAL tournament champion. In other words, Clinton was crowned the first king of basketball.
Born in New York City in 1815, she [Emma Stebbins] was one of the most famous and applauded American sculptors in 1863 when she got the commission for the fountain, the first woman to be commissioned for a public artwork in New York City. But after the inauguration she retired from artistic activity and was soon forgotten. When Emma died in 1882, the New York Times did not dedicate an obituary to her, or even a news item. Only in 2019 it published an article on her for its “Overlooked” series: a posthumous tribute, atoning for the newspaper’s silence on such a remarkable artist.
Free from the Stain: New York’s Free Produce Stores
By Charline Jao
American proponents of free produce saw clearly the connection between commercial consumption and the institution of slavery, seeking to overthrow what Frances Harper called slavery’s “commercial throne.” Not only did they refuse to buy items that came from southern plantations, they also sought to create new networks of trade, labor, and production. Ruggles, for instance, did not only secure “free” butter from Goshen, New York for his customers, he also employed formerly enslaved men like Samuel Ringgold Ward and Isaiah Harper Ward. Advocates of free produce set out on expeditions to find alternatives to sugar, reached out to farmers and merchants, did speaking tours in England, and opened stores where they could proudly state – as Elizabeth Kent in Pennsylvania did – that they had “EVERYTHING FOR SALE EXCEPTS PRINCIPLES!!”
An Excerpt from Making Long Island: A History of Growth and the American Dream
By Lawrence R. Samuel
Beginning in the Roaring Twenties, Wall Street money looked eastward to generate wealth from a burgeoning land boom. After the Great Depression and World War II, Long Island—Nassau and Suffolk Counties—emerged as the site of the quintessential postwar American suburb, Levittown. Levittown and its spinoff suburban communities served as a primary symbol of the American dream through affordable home ownership for the predominantly White middle class, propelling the national mythology steeped in success, financial security, upward mobility, and consumerism. Starting in the 1960s, however, the dream began to dissolve, as the postwar economic engine ran out of steam and Long Island became as much urban as suburban. Over the course of these decades, the island evolved over the decades and largely detached itself from New York City to become a self-sustaining entity with its own challenges, exclusions and triumphs.
Police and the Empire City: Race and the Origins of Modern Policing in New York
Review By Emily Holloway
Set from the original founding of the NYPD in 1845 and concluding around the first World War, Guariglia’s book situates the NYPD as a medium of American imperial ambition and statecraft. Police and the Empire City is not merely a history of the country’s largest and most influential police department; it also positions the NYPD as a repository of scientific knowledge about race, gender, and sexuality that is mobilized and iterated to assert state authority and preserve order.
The “Puerto Rican Problem” in Postwar New York City
Review By Kenneth M. Donovan
Perhaps most significantly, the book sheds light on how ideas about Puerto Ricans and Puerto Rico itself were constructed and incorporated into public policy and popular culture. According to Meléndez, those ideas have had staying power. As the island of Puerto Rico faces ongoing challenges in the present, from crippling debt to the privatization of its electric power, it seems that, to quote Melendez, “the ‘Puerto Rican Problem’ has not disappeared. It has simply changed shape.”
The Slip: The New York City Street That Changed American Art Forever
Review By Miriam Grotte-Jacobs
Immortalized by writers like Herman Melville and Walt Whitman, the Slip dates back to the seventeenth century, a liminal site between land and water that maintained, as Peiffer argues, an altogether distinct sensibility; a place apart from the rest of Manhattan that offered artistic alternatives to its inhabitants with major consequences for the trajectory of modernism and postmodernism in the United States. A counternarrative to accounts of the New York art world that center around Cedar Tavern and Max’s Kansas City, Peiffer offers a close reading of a different New York and the artistic community it enabled.
Mobilizing the Metropolis: How the Port Authority Built New York
Review by Elizabeth M. Marcello and Gail Radford
The New York City metropolitan area boasts an impressive infrastructural network that moves people, trains, motor vehicles, freight, ships, and airplanes. At the center of this network is the Port Authority of New York and New Jersey, the subject of Philip Mark Plotch and Jen Nelles’s Mobilizing the Metropolis, which they offer as a “reflective history” of this particular agency, but also as a series of “lessons” for other agencies around the country built on the public authority model.
A Pathfinder in the Village: Buffy Sainte-Marie on Building a Career in New York’s Folk Music Revival
By Christine Kelly
Even as the Village proved a less inclusive environment than its outward appearance suggested, Buffy Sainte-Marie effectively harnessed the resources available to her as an up-and-coming artist in the heart of the national folk scene in order to craft a stage persona that resisted gender and race-based stereotypes, garner and maintain creative and commercial success, and use her popularity to raise awareness of dire needs among Indigenous communities across North America in an era of racial reckoning and social change. By making the most of her time in New York – an experience marked by the artist’s fascination with the rock and rhythm and blues shows of 1950s Brooklyn as much as the Village performances of the 1960s folk era – cultivating allies among fellow artists, and supporting Indigenous causes, Buffy Sainte-Marie charted a rare path forward as an influential artist and activist whose story paints a complex portrait of New York’s folk revival and the creative influences, cultural locations, and power brokers that shaped it.
Walkers in the City: Jewish Street Photographers of Midcentury New York
Review by Daniel Morris
In an homage to a space and time that have passed, but that remain as traces in the vivid depictions on display in this handsome and informative volume, Moore offers a love letter to photographers who looked past ideological doctrine (worker strikes and political protests are set aside) to teach viewers and to remind themselves how to regard their fellow New Yorkers with the dignity of concerned attentiveness.
