“People Love the Rat”: How Scabby, Labor’s Mascot, Took New York
By Benjamin Serby
Anyone who has spent time in New York will not be surprised to learn that it is the most rat-infested city in the United States, with an estimated population of two million (roughly one rat for every four people). Strangely, rats are part of the city’s culture — and long have been. As Luc Sante explains in Low Life: Lures and Snares of Old New York, rat-baiting was the city’s “premier betting sport” in the 19th century. Boys were paid to collect rats from the street “at a rate of five to twelve cents a head,” and spectators wagered on how quickly fox terriers or “men wearing heavy boots” could massacre dozens of them at a time.
“For the Use of the State”: Edmund Bailey O’Callaghan and the Work of New York’s Archives
By Derek Kane O’Leary
In mid-winter of 1847, Edmund Bailey O’Callaghan was a historian with an unfinished book manuscript who needed a decent-paying job. He was hip deep in his two-volume History of New Netherland; or, New York under the Dutch (1846-1848), the first major historical account of the state’s Dutch colonial period aside from Washington Irving’s satirical History of New York by Diedrich Knickerbocker (1809) — which O’Callaghan and many other history-conscious New Yorkers were keen to forget.
The First Reconstruction: Black Politics in America from the Revolution to the Civil War
Van Gosse interviewed by Jessica Georges
It may be difficult to imagine that a consequential black electoral politics evolved in the United States before the Civil War, for as of 1860, the overwhelming majority of African Americans remained in bondage. Yet free black men, many of them escaped slaves, steadily increased their influence in electoral politics over the course of the early American republic. Despite efforts to disfranchise them, black men voted across much of the North, sometimes in numbers sufficient to swing elections.
Podcast Interview: Patria: Puerto Rican Revolutionaries in Nineteenth Century New York
Edgardo Meléndez Interviewed by Jesse Hoffnung-Garskoff
Edgardo Meléndez's book Patria: Puerto Rican Revolutionaries in Nineteenth Century New York (Centro Press, 2019) examines the activities and ideals of Puerto Rican revolutionary exiles in New York City at the end of the nineteenth century. The study is centered in the writings, news reports, and announcements by and about Puerto Ricans in Patria, the official newspaper of the Cuban Revolutionary Party. Both were founded and led by the Cuban patriot José Martí.
“Working-Class New York Revisited” Conference Honors Joshua Freeman
By Marc Kagan
“I do hope that this book illuminates the possibilities for ordinary people to play a greater role in shaping their city and nation than they do today.” Joshua Freeman, Working-Class New York, 2000. New York City’s working-class had real political, economic, and social power for almost thirty years after World War II. That power, expressed primarily through private- and, increasingly, public-sector unions, made life substantially better not just for their own members, but millions of other working-class New Yorkers.
In Radical Imagination, Radical Humanity: Puerto Rican Political Activism in New York, Rose Muzio analyzes how structural and historical factors — including colonialism, economic marginalization, racial discrimination, and the Black and Brown Power movements of the 1960s — influenced young Puerto Ricans to reject mainstream ideas about political incorporation and join others in struggles against perceived injustices. This analysis provides the first in-depth account of the origins, evolution, achievements, and failures of El Comité-Movimiento de Izquierda Nacional Puertorriqueño, one of the main organizations of the Puerto Rican Left in the 1970s in New York City.
“Young people are making their voices heard”: From Harlem’s Youth Movement in the 1930s and 1940s to DSA-NYC
By Mary Reynolds
The ongoing press scrum over New York’s 2021 mayoral election has obscured the down-ticket candidates in the June 22 primary races for the City’s fifty-one Council seats. These contests could be better bellwethers for the city’s future, and recall a little-known era of the city’s radical past.
Friday, Bloody Friday: David Paul Kuhn's The Hardhat Riot
Reviewed by Steven H. Jaffe
David Paul Kuhn’s The Hardhat Riot: Nixon, New York City, and the Dawn of the White Working-Class Revolution focuses on May 8, 1970, a symbolic date in the exodus of such voters from the “New Deal Coalition.” On that day hundreds of blue-collar workers — many of them construction workers building the World Trade Center — converged in the streets of lower Manhattan, chanting “U—S—A. All the Way!” as they physically attacked students protesting the Vietnam War. Over one hundred students, bystanders, and others were injured in the melee on the streets.
The Privatized City from Below: Benjamin Holtzman’s The Long Crisis: New York City and the Path to Neoliberalism
Reviewed by Bench Ansfield
“Ford to City: Drop Dead” weighs in as one of the most legendary headlines in US history, and its notoriety likely owes to the apparent disjuncture between the New York City of the 1970s fiscal crisis and the supertall glass-scape of today.[1] These two urban archetypes, apparently worlds apart, are intimately linked, and few books have done more to shape how we conceptualize the dawning of a new metropolis than The New Urban Frontier: Gentrification and the Revanchist City, by the late geographer Neil Smith.
Freedom Songs: Socialist Multiculturalism and the Protest Lyric from Percy Shelley to Chaim Zhitlovsky
By Benjamin Schacht
As protests exploded around the United States in the wake of the excruciating police murders of George Floyd and Breonna Taylor last June, the venerable New York City-based Yiddish daily the Forward ran a story with the headline “‘We Shall Overcome’ sung in Yiddish.” Highlighting the ongoing dialogue between American Jews the civil rights movement, the article mostly focused on a recently adapted Yiddish version of the classic civil rights anthem. But it also touched on a somewhat more obscure Yiddish contribution to the movement, Un du akerst, un du zeyst (“And you plow, and you sow,” also known as “The Hammer Song”), a song that Theodore Bikel performed for a movement audience in the early 1960s.
