The Invention of Public Space: An Interview with Mariana Mogilevich
Interviewed by Katie Uva
Today on the blog, editor Katie Uva speaks to Mariana Mogilevich about her recent book, The Invention of Public Space: Designing for Inclusion in Lindsay’s New York.Mogilevich discusses the 1960s and 1970s as a uniquely inventive time in the city for defining and conceptualizing the use of public space. At a time when New York was dealing with deindustrialization, economic decline, and suburbanization, the Lindsay Administration made a conscious effort to develop inviting public space and support public interaction in city spaces, an attempt to lift up the city’s density and shared space as an asset rather than a liability.
“She Wiggled Her Body in the Most Suggestive and Obscene Manner”: Sexuality and Respectability in the West Indian Labor Day Parade
By Marlene H. Gaynair
During the long 20th century, Caribbean carnival traditions and celebrations dispersed throughout the Atlantic World as West Indians migrated and settled in new locales. Carnival was not just limited to the Lenten period like in Trinidad and Tobago, Brazil, and New Orleans, but also took place around August 1st in the British Caribbean diaspora as a celebration for harvest and Emancipation. In New York City, the significant Caribbean community would recreate carnival celebrations in Trinidad and Tobago as the world-famous West Indian Labor Day Parade.
The Privatized City from Below: Benjamin Holtzman’s The Long Crisis: New York City and the Path to Neoliberalism
Reviewed by Bench Ansfield
“Ford to City: Drop Dead” weighs in as one of the most legendary headlines in US history, and its notoriety likely owes to the apparent disjuncture between the New York City of the 1970s fiscal crisis and the supertall glass-scape of today.[1] These two urban archetypes, apparently worlds apart, are intimately linked, and few books have done more to shape how we conceptualize the dawning of a new metropolis than The New Urban Frontier: Gentrification and the Revanchist City, by the late geographer Neil Smith.
A Sound as International as the City Itself: A Review of Benjamin Lapidus' New York and the International Sound of Latin Music, 1940-1990
Reviewed by Matthew Pessar Joseph
New York and the International Sound of Latin Music boasts an ambitious title. Yet Benjamin Lapidus’s history of Spanish Caribbean music in Gotham does not disappoint. By exploring overlooked Cuban, Puerto Rican, Panamanian, and Jewish performers, dancers, music teachers, and instrument builders, the author shows how between 1940 and 1990 New York served as a transnational mecca for Latinx music.
Dispatches from “Anthropoid Ellis Island”: New York City’s More-Than-Human History
By Barrie Blatchford
New York City’s status as entrepot for millions of new Americans is one of the most well-known aspects of American history. But much less understood is that the city has long been the epicenter of the American (nonhuman) animal trade, a shadowy and little-studied subject that was nevertheless of enormous importance and pecuniary value.[1] Indeed, as New York City welcomed millions of new human immigrants in the decades after the Civil War, the increased mobility of the era also facilitated a rapidly expanding trade in animals. The creatures swept up in this trade were destined for often-dismal fates in zoos, circuses, travelling road shows, medical research laboratories, and as exotic pets — provided they survived the arduous trip to America in the first place.
Projecting “Spread City”: The New York Metropolitan Region Study and Its Critics, 1956–1968
By Peter Ekman
“This project is not a blueprint for action. It has no recommendations to make about the physical structure of the Region or about the form or activities of the governmental bodies there. At the same time, it is a necessary prelude to future planning studies of the Region.” The project in question was the New York Metropolitan Region Study (NYMRS), executed 1956–59 for the Regional Plan Association (RPA) by an interdisciplinary group of scholars from Harvard’s Graduate School of Public Administration. Unlike the RPA’s original Regional Plan of New York, issued 1929–31, which was zealously promoted to the public and substantially implemented by 1940, the ten-volume NYMRS very deliberately was not a plan.
New York: Where the Rich Get Richer and the Poor Get… Art?
Reviewed by Alexis Monroe
The class divisions inherent in the New York art world which Rachel Klein deftly identifies in her book are all too persistent today. Art Wars: The Politics of Taste in Nineteenth Century New York promises a history of taste fundamentally informed by class tensions and sectional strife. Klein crafts this history around three case studies, which she sees as defining events in the 19th-century art world: the collapse of the American Art-Union in 1852, the controversy in the mid-1880s around the Cesnola collection at the Metropolitan Museum of Art, and the push in the mid-1880s to open the Met on Sundays.
Community Struggles for a New Gouverneur: Tackling the Deeper Roots of the City’s Unequal Hospital Care
By Hongdeng Gao
The COVID-19 pandemic has exposed deep inequalities in New York City’s hospitals. The decisions made by officials in power to direct money to private hospitals and close safety-net medical institutions in the past thirty years bear many similarities to another large-scale hospital closure effort in the city nearly six decades ago: the hospital affiliation plan authorized by Mayor Robert Wagner.
"Sorry Junior, Recess is Over": Integration, White Backlash and the Origins of Police in New York City Schools
By Rachel Lissy
On the morning of September 19, 1957, 17 year old Maurice Kessler walked into an American History class at Thomas Jefferson High School in East New York, Brooklyn and tossed a bottle of lye. The bottle exploded, splattering 18 pupils and the teacher with corrosive liquid. The attack was aimed at 16 year-old David Ozersky, whose face was described by other students as "melting off," and who was reported to be partially blinded in the attack.
On a summer evening in June 1945, 200 performers took to the aquatic stage at the former New York State Pavilion at Flushing Meadow Park. Spread throughout the 8,500 seats at the northern tip of Meadow Lake, spectators watched swimmers and a choreographed “water ballet” fill the pool, while divers sprung from the diving towers at each end.
